Cowboys and pirates are sometimes romantic figures with contested genealogies that bridge and breach dangerous shores of their motivation and acceptability. These critical autoethnographic informed essays engage explorations of our romanticized and politicized orientations to the cowboy and the pirate as they stand in the historiography of our lived experiences, or the socio-political constructions that establish a relational dynamic in culture and human social relations.
AlexanderB. K. (Ed.). (2012). “West of everything”: Critical reflections, remembrances and representations on/in Westerns [Special issue]. Cultural Studies/Critical Methodologies, 12(6), 471–475. https://doi.org/10.1177/1532708612457906
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AlexanderB. K. (Ed.). (2014). The iconography of the West: Auto/ethnographic representations of the West(erns) [Special issue]. Cultural Studies/Critical Methodologies, 14(3), 223–226. http://csc.sagepub.com/content/early/recent
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AlexanderB. K. (Ed.). (2015). Introduction: Westerns as moral(ity) tales (or lessons learned) [Special issue]. International Review of Qualitative Research, 8(3), 265–269.
