In this essay, media analysis is combined with personal narrative and fiction in order to question the depiction of the woman in the western. The films analyzed in this study encompass a significant chronology of Hollywood Westerns (1939-2010) and gunslingers, saloon singers, society women, and schoolteachers are recognized as embodying feminist ideologies. By employing the feminist framework of dualisms suggested by Cirksena and Cuklanz (1992), depictions of these female characters are interpreted through a revisionist feminist lens.
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