This introduction situates this special issue on Music and Performance Studies, providing a framework for the analysis of music through the lens of performance studies and offering a preview of the articles in the collection.
Auslander, P. ( 1999). Liveness: Performance in a mediatized culture. New York: Routledge.
2.
Auslander, P. ( 2004). Performance analysis and popular music: A manifesto. Contemporary Theatre Review, 14(1), 1-13.
3.
Auslander, P. ( 2006). Musical personae. Drama Review, 50(1), 100-119.
4.
Austerlitz, P. ( 2005). Jazz consciousness: Music, race, and humanity. Middletown, CT: Wesleyan University Press.
5.
Barthes, R. ( 1985). The responsibility of forms: Critical essays on music, art, and Representation (R. Howard, Trans.). Berkeley: University of California Press.
6.
Conquergood, D. ( 1995). Of caravans and carnivals: Performance studies in motion . Drama Review, 39(4), 135-141.
7.
Davis, A. ( 1998). Blues legacies and Black feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday. New York: Pantheon.
8.
Denzin, N.K. ( 2003): Performance ethnography: Critical pedagogy and the politics of culture. Thousand Oaks, CA: SAGE.
9.
Dimitriadis, G. ( 2001). Pedagogy and performance in Black popular culture. Cultural Studies ↔ Critical Methodologies, 1, 24-35.
10.
Doane, R. ( 2003). Theses on Sleater-Kinney. Cultural Studies ↔ Critical Methodologies, 3, 357-361.
11.
Dolan, J. ( 2001). Performance, utopia, and the "utopian performative." Theatre Journal, 53, 455-479.
12.
Fox, P. ( 2009). Natural acts: Gender, race, and rusticity in country music. Ann Arbor: University of Michigan Press.
13.
Griffin, F.J. ( 2001). If you can’t be free, be a mystery: In search of Billie Holiday. New York: Free Press .
14.
Harewood, S. ( 2005). Masquerade performance and the play of sexual identity in Calypso. Cultural Studies ↔ Critical Methodologies , 5, 189-205.
15.
Hentoff, N. ( 1958). An afternoon with Miles Davis. Jazz Review , 2, 9-12.
16.
Holman Jones, S. ( 2005). Autoethnography: Making the personal political. In N. K. Denzin & Y. S. Lincoln (Eds.), Handbook of qualitative research (3rd ed., pp. 763-791). Thousand Oaks, CA: SAGE.
17.
Holman Jones, S. ( 2007). Torch singing: Performing resistance and desire from Billie Holiday to Edith Piaf. Lantham, MD: AltaMira.
18.
Kohn, N., & Lee, Y.S. ( 2004). Musikonceit: A postmodern bravura sans footnotes. Cultural Studies ↔ Critical Methodologies, 4, 112-137.
19.
Kun, J. ( 2005). Audiotopia: Music, race, and America. Berkeley: University of California Press.
20.
Langellier, K.M. ( 1999). Personal narrative, performance, performativity: Two or three things I know for sure. Text and Performance Quarterly , 19, 125-144.
21.
Lashua, B.D. ( 2006). "Just another native?" Soundscapes, cho-rasters, and borderlands in Edmonton, Alberta, Canada. Cultural Studies ↔ Critical Methodologies, 6, 391-410.
22.
Leonard, M. ( 2007). Gender in the music industry: Rock, discourse, and girl power. Surrey, UK: Ashgate.
23.
Madison, D.S. ( 1998). Performances, personal narratives, and the politics of possibility. In S. J. Dailey (Ed.), The future of performance studies: Visions and revisions (pp. 276-286). Washington, DC: National Communication Association .
24.
Middleton, R. ( 2006). Voicing the popular: On the subjects of popular music . New York: Routledge.
25.
Pollock, D. ( 2007). The performative "I." Cultural Studies ↔ Critical Methodologies, 7, 239-255.
26.
Strine, M., Long, B., & HopKins, M.F. ( 1990). Research in interpretation and performance studies: Trends, issues, priorities. In G. Phillips & J. T. Wood (Eds.), Speech communication: Essays to commemorate the seventy-fifth anniversary of the Speech Communication Association (pp. 181-204). Carbon-dale: Southern Illinois University Press.
27.
Turner, V. ( 1982). From ritual to theatre. New York: PAJ.
28.
Whiteley, S. ( 2000). Women and popular music: Sexuality, identity, and subjectivity . New York: Routledge.
29.
Wolf, S. ( 2002). A problem like Maria: Gender and sexuality in the American musical. Ann Arbor: University of Michigan Press.
