This essay explores the process and product of creative/performative writing. The author explains aspects of how the creative process works for her, what it can produce in terms of a finished autoethnographic document, and how the process can lead to transcendence. She uses a variety of scholarly voices to discuss the ways in which performative writing relates to Heidegger's discussion of building, dwelling, and thinking.
Carilli, T. (1998). Verbal promiscuity or healing art? Writing the creative/performative personal narrative. In S. J. Dailey (Ed.), The future of performance studies: Visions and revisions (pp. 232-236). Annandale, VA: National Communication Association.
2.
Gadamer, H.-G. (2002). Truth and method (2nd rev. ed.; J. Weinsheimer & D. G. Marshall, Trans.). New York: Continuum.
3.
Hadot, P. (2000). Reflections on the idea of "the cultivation of the self." In P. du Gay, J. Evans, & P. Redman (Eds.), Identity: A reader (pp. 373-379). Thousand Oaks, CA: Sage.
4.
Heidegger, M. (1971). Poetry, language, thought (A. Hofstadter, Trans.). New York: Harper and Row.
5.
Lunsford, A.A. (2004). Toward a mestiza rhetoric. In A. A. Lunsford & L. Ouzgane (Eds.), Crossing borderlands: Composition and postcolonial studies (pp. 33-66). Pittsburg, PA: University of Pittsburg Press.
