Special Issue: From One to An-Other: Auto-Ethnographic Explorations in Southern Africa

Barnard, A. (1996). Visual ethics and John Marshall's A Kalahari Family. Anthropology Newsletter, 37(5), 15-16.

Bester, R., & Buntman, B. (1999, Winter). Bushmania and photographic intervention. African Arts, 50-59.

Biesele, M., & Hitchcock, R. (1999). “Two kinds of bioscope:” Practical community concerns and ethnographic film in Namibia. Visual Anthropology, 12(2/3), 137-151.

Buntman, B. (1996). Bushman images in South Africa tourist advertising: The case of Kagga Kamma. In P. Skotnes (Ed.), Miscast: Negotiating the presence of the Bushmen (pp. 271-180). Cape Town, South Africa: University of Cape Town Press.

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Denzin, N. K., & Lincoln, Y. (2000). Handbook of qualitative research. London: Sage.

Ellis, W. (2000, October 18-20). Domains of trust in the southern Kalahari: Production of knowledge, authenticity and community heterogeneity. Paper presented at the International Symposium on Contested Resources: Challenges of Natural Resources in South Africa, University of the Western Cape.

Ellis, C., & Bochner, A. P. (2000). Auto-ethnography, personal narrative, reflexivity: Researcher as subject. In N. K. Denzin & Y. Lincoln (Eds.), Handbook of qualitative research (pp. 733-769). London: Sage.

Flyman, M. (2000). Living for tomorrow in the Southern Kalahari: Community based tourism. Retrieved on July 5, 2001 from www.cbnrm.bw/pages_sub_dir/CommunityMobilisation.htm

Harteshorne, C., & Weiss, P. (1965). The Collected Papers of Charles Sanders Peirce (Vols. I VI). Cambridge, MA: Harvard University Press.

Isaacson, R. (2001). The healing land. London: Fourth Estate.

Jeursen, B. (1994). Gender in /Xam narratives: Towards an unidealised reading of the community. Unpublished master's thesis, University of Natal, Durban, South Africa.

Jeursen, B. (1995). !Khwa and menstruation in narratives of the /Xam Bushmen. Alternatives, 2, 40-54.

Jeursen, B., & Tomaselli, K. G. (2002). Romancing the Kalahari: Personal voyages of methodological discovery. Current Writing, 14(1), 29-58.

Jousse, M. (2000). In E. Sienaert (Ed.), The anthropology of geste and rhythm: Studies in the anthropological laws of human expression and their application in the Galilean oral style tradition (E. Sienaert [with J. Conolly], Trans.). Durban, South Africa: Mantis Publishing.

Kilonda, A. (2001). “Ntakunyisa” and the Black face of White in Mabetha village. Retrieved on April 30, 2003 from www.nu.ac.za/ccms/anthropology/culturaltourism.asp?ID=1

Kohn, N. (1994a). Glancing off the postmodern wall: A visit to the making of Zulu Dawn. Studies in Interpretive Interaction: A Research Volume, 16, 85-105.

Kohn, N. (1994b). Unjust games: Hollywood as lived metaphor. Visual Sociology, 9(1), 52-61.

Kohn, N. (1998). Hail the conquering hero. Visual Anthropology, 9(1), 41-51.

MacIntyre, A. (1988). Whose justice? Which rationality? Notre Dame, IN: University of Notre Dame Press.

Marshall, J. (1996). The need to be informed: A reply to the collective letter. Anthropology Newsletter, 37(5), 15-16.

Peirce Edition Project (Ed.). (1998). The essential Peirce: Selected philosophical writings (Volume 2 B 1893-1913). Bloomington & Indianapolis: Indiana University Press.

Sehume, J. M. (1999). Staging authenticity via cultural tourism: A visitation of spirits: Kagga Kamma visit. Retrieved April 30, 2003 from www.nu.ac.za/ccms/anthropology/culturaltourism.asp?ID=4

Shepperson, A. (1998). Review of Appropriating images: The semiotics of visual representation, by Keyan G. Tomaselli. Semiotische Berichte, 20(2-4), 347-352.

Sienaert, E. (1988). Perspectives on and from oral testimony: Piet Draghoender's Lament. Mosaic, 21(2/3), 227-241.

Simoes, A. T. (2001). Issues of identity in relation to the Kalahari Bushmen of Southern Africa: A comparative analysis of two different Bushmen groups during the late 1990s and into 2001. Unpublished master's dissertation, University of Natal, Durban.

Tomaselli, K. G. (1996). Appropriating images: The semiotics of visual representation. Højbjerg, Denmark: Intervention Press.

Tomaselli, K. G. (1997). Orality, rhythmography and visual representation. Visual Anthropology, 9, 93-116.

Tomaselli, K. G. (1999). Encounters in the Kalahari (Theme issue). Visual Anthropology, 12(2-3).

Tomaselli, K. G. (2001a). Blue is hot, red is cold: Doing reverse cultural studies in Africa. Cultural Studies Critical Methodologies, 1(3), 283-318.

Tomaselli, K. G. (2001b). Contradictory subjectivity: Movies, apartheid and postmodernism. Cultural Studies Critical Methodologies, 1(2), 139-156.

Tomaselli, K. G. (2002). “We have to work with our own heads” (/Angn!ao): San Bushmen and the media. Visual Anthropology, 15(2), 229-246.

Tomaselli, K. G. (2003). ”Dit is die here se asem”: The wind, its messages and issues of auto-ethnographic methodology in the Kalahari. In this issue of Cultural Studies Critical Methodologies.

Turner, V. (1974). Dramas, fields, and metaphors: Symbolic action in human society. Ithaca, New York: Cornell University Press.

Wang, C. (2002). Is pro-poor tourism viable? Cultural tourism as sustainable development in Zulu and Bushman communities. Unpublished master's dissertation, University of Natal, Durban, South Africa.

White, H. (1995). In the tradition of the forefathers: Bushman traditionality at Kagga Kamma. Cape Town, South Africa: UCT Press.