Despite being a disreputable genre, horror remains a staple in cinemas and has become increasingly prominent on TV, a medium that has, until recently, been considered inferior to film. Now, a maligned genre and a previously discredited medium are producing some of the most original and engaging histories currently seen on screen. Lovecraft Country (HBO, 2020), Them (Amazon Prime, 2021–), and The Terror (AMC, 2018–2019) are experimental histories of the Peak TV period that effectively weave together historical truths with fantasy. The way the audience physically reacts to the “bounded” horrors in these shows shapes their response to the “unbounded” historical horrors with which they appear alongside. While history and horror might be considered unusual bedfellows, adding horror to a period setting does not automatically void an onscreen historical representation; instead, the resulting unorthodox history can complicate the audience’s understanding of the past and their reaction to it. Anthology and limited series formats are particularly suited to this form of history making, as they maintain an atmosphere of dread while allowing ample time for character development and the construction of narratively complex historical storylines.
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