This article examines Westworld as a paradigmatic example of a model of series that highlight questions of time and identity. We identify structure and narrative mechanisms most common in this type of television fiction: confusion between reality and dream realms, the need for recollection to discern the real from the dream, the series itself as an empty narrative device with the single objective of prolonging the serial structure, the appearance of a temporal twist that turns into a metaphysical twist, and the construction of characters on the basis of their different temporal identities. This model of TV series has the potential to provoke serious ontological doubts in the spectator and to open the series to metaphysical reflection because, as Deleuze suggests in his discussion of Bergson, the essential problem of metaphysics is time.
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