Abstract
The success of Canada’s Little Mosque on the Prairie (Canadian Broadcasting Corporation [CBC], 2007–2012) suggests that multicultural broadcasting policy can serve as a tool to overcome the tendency in Western media to stereotype Muslims. But close examination of the show’s genesis and production reveals that policy was one factor within a complex network of factors, including the religious beliefs of the creator and executive producers, the desire for relevance among network executives, and the need to devise strategies for funding production. In other words, policy’s effect was indirect: it did not cause the production of Little Mosque, but it did provide an impetus for the CBC to take a risk it might not otherwise have taken.
Keywords
Get full access to this article
View all access options for this article.
