Abstract
This article considers the ideological significance of homophobic discourse as part of a sophisticated interrogation of homophobic outlooks in the FX series Rescue Me. It posits that a variety of narrative features enable a strategy of “working through” in which characters’ frank conversations and evolving perspectives depict the process of experiencing ideological challenge. Working through emphasizes the need for scholars to fully explore the internally contradictory narratives that are characteristic of the increasing complexity of some television storytelling and defies norms of critical media analysis that argue particular media texts either reinforce or resist dominant ideology. Cogent examination of other instances of working through could reinvigorate stymied intellectual spaces by insisting that scholars consider characters’ process of struggle with ideological perspectives throughout the unfolding of a series.
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