Abstract
In cultural geography, connections between home, identity, and multi-scalar notions of belonging are well established. Intersections between interior design and national identity are linked likewise to a broader material and symbolic politics of dwelling. Through an interview with the artist, alongside analysis of two exhibits focused on the domestic landscapes of Malaysia (‘Dalam’, 2001) and Australia (‘Inland’, 2009) – the paper explores ideas about nationalism invested in the art photography of Simryn Gill. By exploring the intimate politics inherent within the creation, curatorship, and review of her work, the home emerges as an ambiguous and incomplete referent of both nationalism and self.
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