BradshawA.BrownlieD. (2009) ‘A Portrait of Morris Holbrook’, Marketing Theory9(3): 373–74.
2.
BradshawA.HolbrookM. B. (2007) ‘Remembering Chet: Theorising the Mythology of the Self-Destructive Bohemian Artist as Self-Producer and Self-Consumer in the Market for Romanticism’, Marketing Theory7(2): 115–36.
DennisN.MacaulayM. (2007) ‘Miles Ahead Using Jazz to Investigate Improvisation and Market Orientation’, European Journal of Marketing41(5/6): 608–23.
5.
ElberseA. (2010) ‘Bye-Bye Bundles: The Unbundling of Music in Digital Channels’, Journal of Marketing74: 107–23.
6.
GambleJ.GilmoreA. (2013) ‘A new era of Consumer Marketing? An Application of Co-creational Marketing in the Music Industry’, European Journal of Marketing47(11/12): 1859–88.
7.
GieslerM. (2006) ‘Consumer Gift Systems’, Journal of Consumer Research33(2): 283–90.
8.
HarrisL.C.DumasA. (2009) ‘Online Consumer Misbehaviour: An Application of Neutralization Theory’, Marketing Theory9(4): 379–402.
9.
HenryP.CaldwellM. (2007), ‘Headbanging as Resistance or Refuge: A Cathartic Account’, Consumption, Markets and Culture10(2): 159–74.
10.
HesmondhalghD. (2008) ‘Towards a Critical Understanding of Music, Emotion and Self-Identity’, Consumption, Markets & Culture11(4): 329–43.
11.
HirschmannE.C. (2007) ‘Metaphor in the Marketplace’, Marketing Theory7(3): 227–48.
12.
HolbrookM.B. (2004) ‘Ambi-Diegetic Music in Films as a Product Design and Placement Strategy: The Sweet Smell of Success’, Marketing Theory4(3): 171–85.
13.
HolbrookM.B. (2008) Playing the Changes on the Jazz Metaphor: An Expanded Conceptualization of Music, Management, and Marketing-Related Themes. Boston, MA: Now.
14.
HolbrookM.B. (2009) ‘A Cinemusicaliterary Analysis of the American dream as Represented by Biographical Jazz Comedepictions in the Golden Age of Hollywood Biopics: Blow, Horatio, Blow; O, Jakie, O; Go,Tommy, Go; No, Artie, No’, Marketing Theory9(3): 259–313.
15.
KellarisJ.J.KentR.J. (1991) ‘Exploring Tempo and Modality Effects on Consumer Responses to Music’, Advances in Consumer Research18: 243–48.
16.
KellarisJ.J.RiceR.C. (1993) ‘The Influence of Tempo, Loudness, and Gender of Listener on Responses to Music’, Psychology & Marketing10: 15–29.
17.
LacherK.T.MizerskiR. (1994) An Exploratory Study of the Responses and Relationships Involved in the Evaluation of and in the Intention to Purchase New Rock Music’, Journal of Consumer Research21(2): 366–80.
18.
LarsonG.LawsonR.ToddS. (2010) ‘The Symbolic Consumption of Music’, Journal of Marketing Management, 26(7–8): 671–85.
19.
MagauddaP (2011) ‘When Materiality “Bites Back”: Digital Music Consumption Practices in the Age of Dematerialization’, Journal of Consumer Culture11(1): 15–36.
20.
MattilaA.S.WirtzJ. (2001) ‘Congruency of Scent and Music as a Driver of In-Store Evaluations and Behavior’, Journal of Retailing77(2): 273–89.
21.
MillimanR. E. (1982). ‘Using Background Music to Affect the Behavior of Supermarket Shoppers’, Journal of Marketing46: 86–91.
22.
MillimanR. E. (1986) ‘The Influence of Background Music on the Behavior of Restaurant Patrons’, Journal of Consumer Research13: 286–9.
23.
MotleyC.M.HendersonG.R. (2008) ‘The Global Hip Hop Diaspora: Understanding the Culture’, Journal of Business Research61(3): 243–53.
24.
OakesS. (2003a) ‘Demographic and Sponsorship Considerations for Jazz and Classical Music Festivals’, The Service Industries Journal23(3): 165–78.
25.
OakesS. (2003b) ‘Musical Tempo and Waiting Perceptions’, Psychology & Marketing20(8): 685–705.
26.
OakesS. (2007) ‘Evaluating Empirical Research into Music in Advertising: A Congruity Perspective’, Journal of Advertising Research47(1): 38–50.
27.
OakesS. (2009) ‘Freedom and Constraint in the Empowerment as Jazz Metaphor’, Marketing Theory9(4): 463–85.
28.
OakesS.NorthA.C. (2008) ‘Reviewing Congruity Effects in the Service Environment Musicscape’, International Journal of Service Industry Management19(1): 63–82.
29.
OakesS.NorthA.C. (2013) Dance to the Music: How Musical Genres in Advertisements Can Sway Perceptions of Image’, Journal of Advertising Research53(4): 411–6.
30.
OakesS.DennisN.OakesH. (2013) ‘Web-Based Forums and Metaphysical Branding’, Journal of Marketing Management29(5–6): 607–24.
31.
SinhaR.K.MachadoF.S.SellmanC. (2010) ‘Don’t Think Twice, It’s All Right: Music Piracy and Pricing in a DRM-Free Environment’, Journal of Marketing74: 40–54.
32.
TajtakovaM.Arias-ArandaD (2008) ‘Targeting University Students in Audience Development Strategies for Opera and Ballet’, The Service Industries Journal28(2): 179–91.