Abstract
This article examines museums and their furnishing, arguing that benches, seats and the very notion of comfort have a disabling or enabling function. A little studied aspect of visuality in museums, furniture admits some visitors and not others. Using New York’s Museum of Modern Art as the basis for its critique, the author gives an impressionistic account of how furnishing and comfort shape the museum visitor’s experience, but also reflect broader conceptions of the museum’s role in society.
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