BaxendallM. (1985), Patterns of Intention: On the Historical Explanation of Pictures, New Haven, CT: Yale University Press.
2.
BenjaminW. ‘On the Concept of History’, in EilandHowardJenningsMichael W. (eds) (2003), Selected Writings, vol.4, 1938–1940, Cambridge, MA: Belknap Press/Harvard University Press.
3.
BenjaminW. (1977), The Origin of German Tragic Drama, London: New Left Books.
4.
GrantCRubinP. (eds), (2011) Special Issue: Creative Writing and Art History, Art History, 34: 2.
5.
HollyM. A. (1984), Panofsky and the Foundations of Art History, Ithaca, NY: Cornell University Press.
6.
PanofskyESaxlF. (1923), Dürer’s Melencolia I: Eine Quellen- und Typen- Geschicthlicje Untersuchung, Studien der Bibliothek Warburg 2, Leipzig: B.G. Teubner.
7.
PodroM. (1982) The Critical Historians of Art, New Haven, CT: Yale University Press.
8.
WarburgA. (1999). ‘Dürer and Italian Antiquity’, in The Renewal of Pagan Antiquity, Los Angeles: Getty Research Institute.