What Makes an Image Singular Plural? Questions to Jean-Luc Nancy

Abstract

This article examines the connection between Jean-Luc Nancy’s thinking of images and his radical ontology of the singular plural. It shows how Heidegger’s conception of Dasein becomes operative in Nancy’s understanding of the visual and examines the implications which Nancy’s critique of Heidegger carries for a new ontology of the image. The article’s central concern is the question of what it means for a philosophy of the visual to embrace the singular plural? In what senses is the singular plural the foundation of an image’s being? How should the singular plural play itself out in a thinking of the image? Focusing on Nancy’s interpretation of painting’s origins, the article questions the manner in which the ethical consequences of Nancy’s ontology are brought to bear on his understanding of art.