This essay addresses the film Hei Tiki (Alexander Markey, 1935) within the context of colonial transactions and postcolonial rearticulations. The film itself and the leftovers of its production are considered as colonial `flotsam and jetsam' that have been picked up and refashioned in new ways.
Hopecross, Henry (1980) Interview by Clive Sowry, 25 August, audio tape A0044, New Zealand Film Archive, Wellington, New Zealand.
6.
` Ko Ngā Kaitiaki o Ngā Taonga Whitiāhua', New Zealand Film Archive. URL (consulted Sept. 2006): http://www.filmarchive.org.nz/taonga_maori/english_taonga_maori.html
7.
Kopua, Huia (1996) Interview with Te Taite Cooper and Thomas Tawhiri, audio tape A0385, New Zealand Film Archive, Wellington, New Zealand.
8.
Kopua, Huia (2001) `Te Hokinga Mai o Ngā Taonga Whitiāhua: Returning Treasured Images', in Robert Sullivan (ed.) International Indigenous Librarians' Forum: Proceedings, pp. 82—7. Te Rōpū Whakahau.
9.
Mydans, Seth (1985) `The Maori Rights Furor: A Question of Ancestry ', New York Times, 29 October. New York Times Select URL (consulted Sept. 2006): http://select.nytimes.com/gst/abstract.html?res=F60E14FD3C5C0C7A8EDDA90994DD484D81
10.
` 100 Years of Film in New Zealand' (1996) AV Archives Bulletin, South East Asia-Pacific Audiovisual Archive Association. URL (consulted Sept. 2006): http://www.geocities.com/seapavaa/bulletin/av02/av212.htm
11.
`Pākehā Told to Go Home' (1985) Evening Post, 29 August: 1.
12.
` Romance and Reality: Hollywood Comes to New Zealand. Universal and Alexander Markey' (1928), New Zealand Sporting and Dramatic Review, 8 March: 40.
13.
` Strange Story of Feature Film' (1983) Wanganui Herald, 11 March.
14.
Warnack, James (n.d.) `Fabulous California Showplace Becomes Haven of Heaven', article in New Zealand Film Archive Documentation Collection, Wellington, New Zealand.
