AFI Catalog of Feature Films, 1931—1940. URL: http://www.afi.chadwyck.com
2.
Benjamin, W. (1968a[1931]) `Unpacking My Library', in Hannah Arendt (ed.) Illuminations: Essays and Reflections, trans. Harry Zohn. New York: Schocken Books.
3.
Benjamin, W. (1968b[1936]) `The Work of Art in the Age of Mechanical Reproduction', in Hannah Arendt (ed.) Illuminations: Essays and Reflections, trans. Harry Zohn. New York: Schocken Books.
4.
Bould, M. (2005) Film Noir: From Berlin to Sin City. London: Wallflower Press.
5.
Buck-Morss, S. (1991) The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge, MA: MIT Press.
6.
Clifford, J. (1986) `On Ethnographic Allegory', in James Clifford and George E. Marcus (eds) Writing Culture: The Poetics and Politics of Ethnography. Berkeley: University of California Press.
7.
Eco, U. ( 1986[1984]) `Casablanca: Cult Movies and Intertextual Collage', in Travels in Hyperreality, trans. William Weaver . New York: Harcourt Brace Jovanovich .
8.
Friedrich, O. (1986) City of Night: A Portrait of Hollywood in the 1940s . Berkeley: University of California Press.
9.
Gumbrecht, H.U. (no date) `Is the Production of Authenticity Fake-Recycling?', in Dieter Ingenshay and Helmut Pfeiffer (eds) Werk und Diskurs: Karlehin Siterle zum 60 Geburstag. Berlin: Wilhelm Fink Verlag.
10.
Healey, J. (2003) `Math Wiz Claims Piracy Solution', Los Angeles Times, 8 June.
11.
Holtorf, C. (2002) `Notes on the Life History of a Pot Sherd', Journal of MaterialCulture7(1): 49—71.
12.
Jenkins, J. and Bolton, K. (1993) The Gutman Variations. Adelaide : Little Esther Books & Otis Press.
13.
Kipen, D. (2005) `The Bird', San Francisco Chronicle , 6 February.
14.
Layman, R. (ed.) (2005) Discovering The Maltese Falcon and Sam Spade: The Evolution of Dashiell Hammett's Masterpiece, Including John Huston's Movie with Humphrey Bogart. San Francisco, CA: Vince Emery Productions.
15.
` Maltese Falcons Valued at Over $3 Million: Most Expensive Props From American Cinema' (2005) Forbes Wire Service, URL (consulted March 2005): http://www.forbes.com/prnewswirefeeds/prnewswire/2005/03/10/prnewswire
16.
Naremore, J. (1998) More Than Night: Film Noir in its Contexts. Berkeley: University of California Press .
17.
Oldenburg, C. (1970[1961]) `Environment, Situations, Spaces ', in Claes Oldenburg.London: Arts Council of Great Britain.
18.
Orvell, M. (1989) The Real Thing: Imitation and Authenticity in American Culture 1880—1940. Chapel Hill, NC: University of North Carolina Press.
19.
Ostrom, M. (2005) `Real Star of “Maltese Falcon” Flying in for a Visit', San Jose Mercury News, 17 February.
20.
Robbins, D. (1988) The Camera Believes Everything/Die Kamra Glaubt Alles, trans. Thomas Braun. Stuttgart: Schwarz.
21.
Schatz, T. (1988) The Genius of the System: Hollywood Filmmaking in the Studio Era. New York: Henry Holt.
22.
Schwartz, H. (1998) The Culture of the Copy: Striking Likenesses, Unreasonable FacsimilesNew York: Zone Books .
23.
Shakespeare, William, A Midsummer Night's Dream, in W.J. Craig (ed.) The Oxford Shakespeare (1914). London: Oxford University Press.
24.
Spevack, L. (2003) `Harry the Hat Goes Home', New Orleans The Globe and Mail, 25 October.
25.
Stern, L. (2001) `Paths that Wind through the Thicket of Things ', Critical Inquiry28, Autumn: 317—54.
26.
Stewart, S. (1984) On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the CollectionBaltimore, MD: Johns Hopkins University Press.
27.
Tanselle, G.T. (1998) `A Rationale of Collecting', Studies in Bibliography51: 1—26.
28.
Wadia, R. (2003) `So Many Fragments, So Many Beginnings, So Many Pleasures: The Neglected Detail(s) in Film Theory', Criticism45(2): 173—95.
29.
Weber, S. (1996) `Mass Mediauras, or: Art, Aura and Media in the Work of Walter Benjamin', in Alan Cholodenko (ed.) Mass Mediauras: Form, Technics, Media. Stanford, CA: Stanford University Press.
30.
Welkos, R. (2003) `Hal 9000', Los Angeles Times, 1 December.
31.
White, H. (1987) The Content of the Form. Baltimore, MD: Johns Hopkins University Press.