Book Review: Multimodal Film Analysis: How Films Mean

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Bateman

J.A

. (2007) Towards a ‘grande paradigmatique’ of film: Christian Metz reloaded. Semiotica 167(1/4): 13–64.

Bateman

J.A.

(2008) Multimodality and Genre: A Foundation for the Systematic Analysis of Multimodal Documents. Basingstoke: Palgrave Macmillan.

Burch

(1973) Theory of Film Practice. London: Secker & Warburg.

Kress

. (2000) Multimodal Teaching and Learning. London: Continuum.

Metz

(1966) La grande syntagmatique du film narratif. Communications 8: 120–124.

Metz

. (1974) Film Language: A Semiotics of the Cinema. Oxford: Oxford University Press.

Schmidt

K-H.

(2004) Zur chronologischen Syntagmatik von Bewegtbilddaten (II): Polyspatiale Alternanz Kodikas/Code. Ars Semeiotica 27 (3–4): 255–283.

Schmidt

K-H.

(2008) Zur Chronologischen Syntagmatik von Bewegtbilddaten (III): Deskripitive Syntagmen Kodikas/Code. Ars Semeiotica BD. 31, NR. (3–4): 217–270.

Schmidt

K-H.

Strauch

(2002) Zur chronologischen Syntagmatik von Bewegtbilddaten Kodikas/Code. Ars Semeiotica 25(1–2): 65–96.