Abstract
This paper reports on fieldwork investigating the experience of visitors to the ‘Hobbiton’ film location site, a roughly 10-acre space in New Zealand co-opted for the production of The Lord of the Rings films. Based on participant observation of several tours of the attraction, as well as in-depth interviews with both visitors and guides, the data included herein engage with the draw of such a space, articulations of the visit experience, and the degree to which attitudes toward and behaviors within the space are indicative of an embodied assent to a particular kind of media power. In visiting the space, this paper suggests, actors respond to a repeating discursive structure that, by creating boundaries and sanctifying spaces, canalizes attitudes, behavior, and movement. Reified in the process is the normative centrality of media processes, people, and places.
Get full access to this article
View all access options for this article.
