The interpretive turn in urban studies signals a heightened emphasis on the locus of the city as the site for both the making and unmaking of identities and differences. Juxtaposing examples from British popular culture with narrative extracts from my published ethnographic research on `mixed race' family and memory, this article addresses two key problematics associated with this discursive shift. First, I explore the concept of multiethnicity as another paradigm for understanding the relationship between structures and forms of agency, particularly as multiethnicity forces a rethinking of racialized and essentialist notions of Englishness and non-Englishness; what I refer to as differentiating between the hyphen and the ampersand. Second, I assess the extent to which lived and constructed ideas of `the urban' in general and `the city' in particular are preconditions for the performance of multiethnicity. That is, are urban sites ideal laboratories for an illustration of the ways in which `mixed race' and multiethnic subjectivities are intertwined?
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