Abstract
Sound portraiture blends audio-documentary techniques and qualitative arts-based and narrative methods, privileging participants’ voices and conveying the complexity of their stories through the layering of sound. We created sound portraits that negotiated the multiple and often conflicting voices, histories and subject positions for South African migrants who psychologically straddle home and host lands. Sound portraits speak to the history of colonialism, Apartheid, displacement, and the continuities of power and privilege in people’s lives. We argue for the use of sound portraits as an aesthetic representation of lived experience and as a medium through which research knowledge becomes democratised.
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