We research in Saskatchewan, in the Dry Land elucidated by Trevor Herriot (2001). We
start with his notion that `those of us who live west of the 100th meridian have
been using nostalgia to construct a romance fiction out of our history…
there is no denying the power of nostalgia' (p. 2). Our landscape shapes us as we in
turn shape it, we feel obligated to be sensitive to the glamours of nostalgia. Our
prairie landscape evokes questions: What does it mean to research ethically in this
space? What are the possible foci of our nostalgia? And, how do we navigate the
ethical paradoxes in which we find ourselves? This article argues that research
pushed by cultural norms creates double-binds around notions of `good' and
`R/right'. By juxtaposing nostalgia and goodness, we examine ethical paradoxes
facing us as academics in renegotiating these double-binds.
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