Black bodies at risk: Exploring the corporeal iconography of the anti-police brutality movement

Abstract

Black bodies at risk are in constant conversation with each other. The Black witness who films a fatal police encounter on her phone is talking to the Black victim, promising not to leave him in his final moments. The distant Black witness who sees that video then talks back to the witness and the victim, creating powerful imagery that amplifies the tragic footage. In this manner, those working under the broad banner of the Black Lives Matter movement have reimagined a dynamic Black visual public sphere, where moral arguments about police brutality are sustained through an assemblage of strategic visual appeals. In this essay, I argue that this call-and-response of Black corporeal iconography forms the vanguard of embodied protest journalism in the 21st century. I explain how the concepts of “strong objectivity,” which is rooted in feminist standpoint theory, help validate and liberate the flesh witnessing of the marginalized. Moreover, I offer two broad categories of imagery that Black activists create most often in response to fatal police shootings: historic juxtapositions and symbolic deaths.