Abstract
The interview with Eldad Rafaeli probes into the moral, political and aesthetical problems that arouse from being a ‘local’ Israeli photographer covering the Israeli-Palestinian conflict. A detailed analysis of Rafaeli’s photographs of the Palestinian side leads to a discussion of such issues as witnessing, subject-object power relations in photography, the difference between black and white and color photography, digital photography, and the way Rafaeli’s photographs testify to the failure of the Oslo peace process.
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