Abstract
This article makes visible some of the premises that underlie Rosi Braidotti’s use of (political) myth. Focusing on some well-known characteristics of postmodernity, as well as the development of a new philosophy of subjectivity, I account for the divergence between Simone de Beauvoir, who thought of myth as a severe hindrance to the subject-becoming of women, and postmodern feminists, such as Donna Haraway and Braidotti, who represent a more affirmative stance. Through pinning down both similarities and differences between Haraway and Braidotti, I demonstrate that postmodern feminists might still promote mythmaking for dissimilar reasons. I argue that Braidotti, in contrast to Haraway, approaches myth from a horizon partly shaped by an anti-rationalist or ‘demonic’ philosophical tradition, whose chief representative is Friedrich Nietzsche. By studying the argument delivered by the latter in defence of myth, I extract a conceptual distinction between the ‘Apolline’ and the ‘Dionysiac’ aspects of mythmaking, by which it becomes possible to further qualify Braidotti’s philosophy of political myth.
Keywords
Get full access to this article
View all access options for this article.
