Abstract
The anthropology of the West, as a project of comparative knowledge of the multifarious human experience, depends on a positive disposition towards difference and holism, both as an empirical focus and as a method – in opposition to the scientific style inherited from the Enlightenment and its naturalistic and individualistic bases. This outward movement of anthropology obeys another, subordinate yet essential, ideological dimension of Western cosmology, here described as Romanticism. The paradox implied by a quest for a distant difference and the oblique awareness of the internal cultivation of difference is the key for a critical analysis of contemporary ‘postmodern’ anthropological tendencies.
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