Abstract
This article, which draws upon the work of the AHRC-funded research project Moving Manchester (2006—9), looks at the ways in which Manchester’s vibrantly multicultural writing community positions itself in relation to issues of region and regional identity. In particular, it investigates how contemporary writers have both reproduced and challenged the stereotypes associated with the city, issues of filiation/affiliation and the way in which many local writers’ groups may be said to have produced literature which is
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