Adorno, T.W. (1973) Philosophy of Modern Music. New York: Seabury. Adorno, T.W. (1998) Aesthetic Theory (trans. and ed. R. Hullot-Kentor). Minneapolis: University of Minnesota Press.
2.
Benjamin, W. (1985) 'The Work of Art in the Age of Mechanical Reproduction', in Illuminations. Essays and Reflections (ed. H. Arendt), pp. 217-52. New York: Schocken .
3.
Bennett, A. and R.A. Peterson (eds) (2004) Music Scenes. Local, Translocal and Virtual. Nashville, TN: Vanderbilt University Press.
4.
Bennett, A.,B. Shank and J. Toynbee (eds) ( 2006) The Popular Music Studies Reader. New York: Routledge.
5.
Blake, A. (2008) Popular Music: The Age of Multimedia. London: Middlesex University Press.
6.
Bourdieu, P. (1984) Distinction: A Social Critique of the Judgment of Taste. Cambridge, MA: Harvard University Press.
7.
DeNora, T. (2000) Music in Everyday Life. Cambridge : Cambridge University Press.
8.
Fiedler, L. (1957) 'The Middle Against Both Ends', in B. Rosenberg and D. Manning White (eds) Mass Culture: The Popular Arts in America, pp. 537-47. London: Macmillan.
9.
Frith, S. (1978) The Sociology of Rock. London : Constable.
10.
Frith, S. (1988) Music for Pleasure. Cambridge : Polity Press.
11.
Frith, S. (1996) Performing Rites. Evaluating Popular Music. Oxford: Oxford University Press.
12.
Frith, S. (2007) Taking Popular Music Seriously. Selected Essays . Aldershot: Ashgate.
13.
Frith, S. and A. Goodwin (eds) (1990) On Record: Pop, Rock and the Written Word. London: Routledge .
14.
Gracyk, T. (1996) Rhythm and Noise: An Aesthetics of Rock. Durham, NC: Duke University Press.
15.
Grossberg, L. (1992) We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. London: Routledge.
16.
Grossberg, L. (1997) Dancing in Spite of Myself: Essays on Popular Culture . Durham, NC: Duke University Press .
17.
Hall, S. and T. Jefferson (eds) (2006a) Resistance through Rituals. Youth Subcultures in Post-war Britain (2nd edn). London: Routledge.
18.
Hall, S. and T. Jefferson (2006b) 'Once More Around Resistance through Rituals' , in S. Hall and T. Jefferson (eds) (2006) Resistance through Rituals. Youth Subcultures in Post-war Britain (2nd edn), pp. vii-xxxii. London: Routledge .
19.
Hebdige, D. (1979) Subculture: The Meaning of Style. London. Routledge.
20.
Hebdige, D. (2006) 'Reggae, Rastas and Rudies', in S. Hall and T. Jefferson (eds) Resistance through Rituals. Youth Subcultures in Post-war Britain (2nd edn), pp. 113-30. London : Routledge.
21.
Hegarty, P. (2007) Noise / Music. A History. New York: Continuum.
22.
Hesmondhalgh, D. and K. Negus (eds) (2002) Popular Music Studies. London: Arnold.
23.
Horak, R. and S. Mattl (2001) '"Musik liegt in der Luft". Die "Weltkulturhauptstadt Wien". Eine Konstruktion' ['"Music Is in the Air". World Culture Capital Vienna. A Construction'], in R. Horak, W. Maderthaner, S. Mattl and L. Musner (eds) Stadt. Masse. Raum. Wiener Studien zur Archaologie des Popularen [City. Masses. Space. Viennese Studies on the Archaeology of the Popular], pp. 164-239. Vienna: Turia and Kant.
24.
Huq, R. (2006) Beyond Subculture: Pop, Youth and Identity in a Postcolonial World. London: Routledge .
25.
Muggleton, D. (2000) Inside Subculture: The Postmodern Meaning of Style . Oxford: Berg.
26.
Muggleton, D. and R. Weinzierl (eds) (2003) The Post-subcultures Reader. Oxford: Berg.
27.
Redhead, S. (1997) Subculture to Clubcultures. Oxford: Blackwell.
28.
Redhead, S., D. Wynne and J. O'Connor (eds) ( 1997) The Clubcultures Reader. Readings in Popular Cultural Studies. Oxford: Blackwell.
29.
Shepherd, J. and P. Wicke (1997) Music and Cultural Theory. Cambridge: Polity Press.
30.
Straw, W. (1991) 'Systems of Articulation, Logics of Change: Scenes and Communties in Popular Music', Cultural Studies5(3): 361-75.
31.
Thornton, S. (1995) Club Cultures. Cambridge: Polity Press.
32.
Willis, P. (1978) Profane Culture. London: Routledge.