Translingual arts

Attinasi J. Friedrich P. (1995). Dialogic breakthrough: Catalysis and synthesis in life-changing dialogue. In Mannheim B. Tedlock D. (Eds.), The dialogic emergence of culture (pp. 33–53). Urbana: University of Illinois Press.

Bentahila A. Davies E. E. (2002). Language mixing in rai music: Localisation or globalisation? Language and Communication, 22, 187–207.

Besemeres M. (2002). Translating one’s self: Language and selfhood in cross-cultural autobiography. Oxford, UK/Bern, Switzerland: Peter Lang.

Forster L. (1970). The poet’s tongues: Multilingualism in literature. Cambridge, UK: Cambridge University Press.

Kellman S. G. (2000). The translingual imagination. Lincoln, Nebraska: University of Nebraska Press.

Klosty Beaujour E. (1989). Alien tongues: Bilingual Russian writers of the “first” emigration. Ithaca, New York: Cornell University Press.

Pavlenko A. (Ed.) (2006). Bilingual minds: Emotional experience, expression, and representation. Clevedon, UK: Multilingual Matters.

Sarkar M. Winer L. Sarkar K. (2005). Multingual code-switching in Montreal hip-hop: Mayhem meets method or, “Tout moune qui talk trash kiss mon black ass du nord”. In Cohen J. McAlister K. T. Rolstad K. MacSwan J. (Eds.), ISB4: Proceedings of the 4th International Symposium on Bilingualism (pp. 2057–2074). Somerville, MA: Cascadilla Press.

Torres L. (2007). In the contact zone: Code-switching strategies by Latino/a writers. MELUS (Journal of the Society for the Study of the Multi-Ethnic Literature of the United States), 32(1), 75–96.