Abstract
In this interview with Jamie Hakim, Kane Race talks about his most recent monograph The Gay Science: Intimate Experiments With the Problem of HIV (2018). In The Gay Science, he explores how practices of sex and intimacy between gay men are shifting amidst what he calls the changing infrastructures of gay life – digital, chemical and communal. As such the book is empirically oriented and looks at a wide range of topics from hook-up apps, to PreP to chemsex/party ‘n’ play, to the history and politics of Sydney’s Mardi Gras as they take place on the ground. Theoretically he blends the thought of philosophers such as Michel Foucault and Friedrich Nietzche with critical perspectives such as actor-network theory and Science and Technology Studies to argue that as scholars of sexual practice we need to pay more attention to what emerges within the contingencies of the assemblages and infrastructures that make sex between gay men possible. In so doing, the book is far more optimistic about gay sex and digital media then either popular media or influential strands of queer theory, offering path-breaking insight into the major concerns of this special issue on Chemsex Cultures.
Working at the centre opened my eyes to the world of empirical HIV research and its connection to HIV education, programming and policy. I came from a background in literary studies, philosophy and social semiotics and had virtually no experience of empirical research. What had attracted me to NCSHR was its focus on social and sexual practices, rather than individual psychologies, which resonated with what I had learnt from activist and critical literature on the sexual and social politics of HIV. Kippax and her team adopted an unapologetically ‘social’ approach to HIV behavioural research that differed substantially from the psychological individualism that characterizes the bulk of HIV research emanating from the USA. The focus on social, sexual and drug practices – and the meanings, contexts and relations in which these practices were embedded – made a real difference to how quantitative data were analysed and interpreted. Instead of attempting to produce personality scales that were predictive of risk practice, they produced scales of subcultural practices like sexual adventurism, for example. Instead of interpreting non-condom use as risk, plain and simple, they paid attention to the contexts in which condoms were being dispensed with. One of the most important effects of this approach, in my view, was that it framed those at risk as meaning-making agents, capable of innovation and of developing new strategies of HIV prevention.
This sort of approach was deeply formative not only for me, but a whole generation of Australian sex and drug researchers. It is one I try to build on in the book. Since I was a bit of a newcomer to policy-engaged empirical research at the time, I adopted something like an ethnographic relation to the knowledge practices of the field. I spent a lot of time thinking about questions such as: What are the ways that knowledge about HIV and risk practices are produced? Who participates in these processes of knowledge production, and under what arrangements? What sort of subjects do the disciplines that constitute HIV research anticipate and presume? What are the effects of this? To what capacities and perspectives on risk, safety, harm and pleasure do they variously give weight? Hence my focus in the book on the performativity of knowledge practices: how we grasp and act upon social and bodily problems matters.
I think what I appreciated most about the research ethic at NCHSR was the attitude it cultivated: to be prepared to be surprised by one’s encounters in the research field – to take some pleasure in, or cultivate curiosity about, unexpected findings. This posture is, I think, intimately related to the recognition and fostering of previously unrecognized forms of agency. And it is key for what I call in the book a gay science.
The pleasures of stimulant-enhanced sex had become familiar to participants in the gay circuit and dance party scene of the 1980s and 1990s, mainly after the event, when people went home (or to sex venues or after-parties) to fuck. Certainly, this was happening well before the internet reconfigured the landscape of gay cruising. But the appearance of online hook-up devices in the early 2000s made it possible to bypass gay social and sexual venues altogether when arranging casual sex, and gave rise to new articulations of drug-enhanced ‘partying’ that were not organized around social venues or dancefloors. Indeed, at some stage, I’d say about 2010, it struck me that a whole new genre of sexual and social interaction, of partying on drugs had emerged in gay urban centres, that relied on smartphones and wifi, that took place largely in private residences, and that had its own set scripts, expectations and formal features that participants were used to using. It struck me as a distinctively new cultural formation predicated on a distinctive assemblage of settings, devices, desires, consumables and sexual repertoires.
I think what is important to notice about the emergence of chemsex, and its transformation of prior practices of gay cruising and partying, is its dependence on the coming together of a whole range of human and nonhuman actants (to borrow the terminology of actor-network theory) – a particular constellation of technologies, material settings, modes of consumption and sexual vernaculars. Not to mention urban developments, the political and economic shaping of which you have teased out so well in your work (Hakim, 2019). In this coming together or constellation, all these elements can be understood to mediate each other in specific, more or less patterned ways, giving rise to particular experiences, practices, possibilities, effects, affective dynamics and attachments. It was difficult to describe what was new and remarkable about this set of activities without attending to the active role played by diverse objects, actants and practical repertoires in this process. This is why I have found actor-network theory so useful: for tracing the material-semiotic arrangements and characteristic associations that produce new sexual realities, specifically those that have come to be known and referred to and get concretized as chemsex.
Critical and cultural studies of queer sex and drug practices tend to be motivated by different concerns. Often they set out to identify practices of resistance to dominant social orders and reference these activities as evidence of such. And there is a danger here of reifying sex and drug practices as heroic acts of resistance to hegemonic orders on account of their deviant or illicit status and their transgression of social norms. This tends to totalize and overinflate the meanings of these practices by taking antinormativity as their overarching impulse. I have a problem with this. It trades in a form of overdetermination that seems to be quite happy to disregard the multiplicity of meanings and purposes such activities may have in practice when situated in the diverse contexts of their enactment. Studies of this sort have a thing or two to learn from the sociology of deviance – now considered terribly out of vogue. This tradition of interactionist sociology approached deviance as a social creation, a result of the power of some to label others. Deviance (transgression) is not an intrinsic quality of particular acts, but rather a consequence of social labelling (Becker, 1963). This is Howard Becker 101!
The breathless celebration of barebacking in some queer tracts plays fast and loose with the overdetermination of meanings and practices I have in mind here, even while invoking the concept of subculture to ascribe unity and coherence to the meanings it projects onto barebacking as practice. In the context of these habits of critical thought, it has seemed just as important to me to demonstrate the sense in which these practices (and the desire for them) are actually quite ordinary, and do not always involve some fixation with antinormativity or a political investment in deviance – or even register among participants as intentional activities.
Empirical and sociological studies, for their part, can often fall prey to another kind of overdetermination that fixes the meanings and practices of sex and drug consumption as though once and for all. We need to remember we are dealing with constantly evolving scenes of activities and practices whose possibilities and trajectories of development are unknown. How can we bring their virtualities to light? I think speculative methods are a helpful antidote to these concretizing and deterministic tendencies in some practices of empirical sociology (see Wilkie et al., 2017).
I argue that the linear notion of individual responsibility and causation that these framing devices produce are inadequate for dealing with the present moment in HIV, given the ongoing and open impacts of biomedical prevention. Of course, we will always depend on notions of predictability and responsibility in order to proceed in the world and try to avoid unwanted events and accidents. But placing too much stock in linear causation and juridical responsibility may lead us to neglect the ways in which events such as HIV transmission are contingent outcomes of the collective activity of a diverse range of actors, both human and nonhuman, that might include technologies, devices, discourses, scientific practices, health care settings, sexual environments, etc. I argue we need to cultivate an ethic of responsive attentiveness to the unpredictable events that will inevitably emerge from the scene of technoscientific, juridical and bodily production we call the HIV epidemic. The answer is not more litigiousness, but an ethic of collective responsibility for futures that are at once shared and indeterminable, i.e. impossible to fully predict.
The Gay Science is not so much concerned with diagnosing the present conjuncture in political or economic terms, as attempting to tackle certain neoliberal tendencies, especially as these play out in the production of knowledge about sexual and risk practices, drug consumption, and the subject that is isolated by these determinations. As is well known, neoliberalism tends to posit a subject who is rational, autonomous, decisional and always in control of their circumstances, who makes their own choices and should bear responsibility for them irrespective of their social and material circumstances. It places an inordinate emphasis on the individual responsibility of human actors, presumed sovereign. Though critical scholars often misunderstand actor-network theory as apolitical because of its decision to pursue its analyses in modes other than debunking and critique, its account of agency as distributed among a diverse array of actors, technologies, settings and relations – as emerging, in other words, from the particular ways in which human and nonhuman entities come together and are arranged on specific occasions – should be considered a forceful rejoinder to neoliberal accounts of agency and the associated circumscription of the capacities and responsibilities of subjects.
When it comes to risk events in relation to sex and drug practice, the neoliberal investment in the intentional, pre-calculative subject promotes a misrecognition of the eventful and contingent nature of practice, such that we are encouraged to interpret as a matter of ‘intention’ circumstances and events that may in fact benefit from a more distributed consideration of the collective arrangements in which they take place. In other words, neoliberal models of the subject, agency and responsibility encourage a turning away from the contingencies of such events, when what could be promoted (and what I hope to promote in The Gay Science) is more generous attention to such relations and their contingencies and the various possibles they harbour.
At face value, hook-up devices such as Grindr appeal to their users on the basis of their instrumentality: they help them achieve certain predetermined goals. But they also offer up a host of new possibilities for exchange with others and collective experimentation and play. I find these unanticipated or “off-label” uses much more interesting than anything offered in straightforwardly empirical accounts (see Race, 2015; and see Albury and Byron, 2016). For example, I’ve been interested in the ways that things like the screen cap function are involved in the emergence of new forms of sexual sociability among users of these devices and their friends. Capturing and storing digital images and chat has emerged as a gay cultural practice in its own right, and now operates as a means of collecting and sharing and even publicizing erotic information and memorabilia within friendship circles and sexual networks. Such records are put to various uses; a source of recollection, conversation, comparison, boasting, critique, vernacular learning, archiving, ammunition, collective debate and so on. The fact that these devices are giving rise to such forms of sexual sociability flies in the face of that familiar trope in modern social and political theory that sees the rise of the technical commodity as responsible for the demise of authentic community or sociability. I’ve found that attending to these side-practices sparks interest and imagination in ways that dry empirical descriptions of common themes and practices often fail to do, and I am interested in what can be done and what we can make when we go with that. This is what a gay science is all about: opening things up.
At the same time, as mentioned earlier I am suspicious of the investment in antinormativity we see in some versions of queer theory: the tendency to diagnose practices as either hegemonic or subversive, and in which certain non-normative practices (such as barebacking) get reified as paradigmatic figures of heroic resistance. An alternative approach would aim to affirm a range of ‘experiments in living’ and defend such experiments against their pre-emptive categorization as licit or illicit, healthy or deviant, by examining their multiplicity and subjecting the terms of their categorization to questioning.
In this respect my thinking is more in line with theorists such as Lauren Berlant and Sara Ahmed who argue we must imagine how we might reconstitute the present by examining the events of ordinary life. We need to find a way of embracing or affirming what happens, and work towards a world in which things happen in alternative ways, as Ahmed puts it. Perhaps my suspicion of programmatic political visions is just as indebted to Foucault, who expressed concern about how such programmes close down possibilities of experimentation with the terms of everyday life, the socio-political and cultural terrain that shapes and conditions living and the possibilities of life.
If The Gay Science seems optimistic, this is not because it has any particularly utopian or predetermined idea of the future in mind, but because it is committed to opening things out and resisting the predeterminations produced through disciplinary discourses and practices. One of my central aims is to counter the obsession with prediction, probability and predictability that informs so many social technologies today; from hook-up apps (which presume that you can always know in advance what you want from a sexual encounter) to scientific models that aim to identify and attribute risk to concrete practices, as though once and for all.
Whether optimistic or not, The Gay Science is committed to pleasure, to which I give a particular (technical) definition taken from Foucault as ‘ultimately as nothing other than an event’. Events, minimally defined, are creators of a difference between a before and an after, and an eventful approach, like the one I adopt in the book, cares for the present as a space and time of unpredictable and unexpected possibilities. The Gay Science hopes to engender more active forms of attention to the way things come together in particular circumstances, their contingencies, and the differences these might make to worlds and lives; and it tries to realize the creative/unanticipated possibilities that inhere in present complexities. After all, in ‘the unanticipated’ we encounter not merely risk and danger, negatively framed: it’s also the source of some of our most material and transformative pleasures.
This interview is based on a discussion that took place between Kane Race and Jamie Hakim at the Masculinity and Body Image symposium, hosted at Birmingham City University by the Masculinity, Sex and Popular Culture AHRC Network (mascnet.org).
Footnotes
Declaration of conflicting interests
The authors declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The authors received no financial support for the research, authorship, and/or publication of this article.
