Various stereotypes of racialized sexuality seem to be prevalent among White gay men, effectively objectifying other men and thus building frontiers. Drawing from a critical discourse analysis of three main gay magazines (Fugues, RG, and Être), this article will discuss how differences are constructed and performed in the symbolic representation of male homosexuality in the French-speaking gay media in Québec. This analysis, informed by both an intersectional feminist theorization and the poststructuralist thought of Judith Butler, is based on a discursive analysis of these three magazines' articles since 2000, as well as the visual representations on their front covers.
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