Gays and Queers: From the Centering to the Decentering of Homosexuality in American Films

Abstract

This article examines independent cinema's depictions of homosexuality from 1990 to 2000. Using mainstream Hollywood films of the 1990s as the context for their development, I show significant differences in how homosexuality is represented outside mainstream films. Specifically, I divide independent films into two types: gay and lesbian standpoint films, and queer cinema. Gay standpoint films are distinguished by their narrative focus on a gay and lesbian subculture, whereas queer cinema generally depicts representations of a character's sexuality as decentered. I suggest that if we understand gay and lesbian standpoint films as a response to mainstream Hollywood ones that exclude subcultural depictions, then queer cinema can be seen as a challenge to both gay and lesbian standpoint films, and mainstream Hollywood films that center and normalize homosexual identity.