Abstract
This article critically examines the concept of apocalyptic violence. Drawing on a wide range of methods, the study examines the social histories of some 40 neo-Nazi males. The network of knowledge that gives meaning to terrorist subcultures is examined in two case studies, showing a great diversity in the human conditions that adapt people to the subcultural products that makes terrorism possible. Yet the outcome is the same: terrorists use their products to reach for the same star that has attracted American terrorists since Jesse James and John Wilkes Booth—celebrity.
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