This paper outlines a model for assessing adult clients in creative music therapy based on a phenomenological approach to organising the descriptive level.
Get full access to this article
View all access options for this article.
References
1.
AldridgeD. (1989). A phenomenological comparison of the organisation of music and the self. Journal of the Arts in Psychotherapy, 16:91–97.
2.
AldridgeD.BrandtG.WohlerD. (1990). Toward a common language amongst the creative art therapies. Journal of the Arts in Psychotherapy, 17(1).
3.
BatesonG. (1988). Angels Fear. London: Century Hutchinson.
4.
BortoftH. (1986). Goethe's Scientific Consciousness. Tunbridge Wells: Institute for Cultural Research (monograph series No. 22).
5.
BrusciaK. (1988). Standards for clinical assessment in the art therapies. Journal of the Arts in Psychotherapy, 15(1).
6.
BuzanT. (1986). Use Your Memory. London: BBC Publications.
7.
CooperJ. (1983). Diagnosis and the diagnostic process. In ShepherdM.ZangwillO. (eds.), General Psychopathology. Cambridge University Press.
8.
KorzybskiA. (1941). Science and Sanity: New York: Science Press.
9.
LeeC. (1989). Structural Analysis of Therapeutic Music. Journal of British Music Therapy, 3(2).
10.
LeeC, (1990). Structural analysis of post-tonal therapeutic improvisatory music. Journal of British Music Therapy, 4(1).
11.
NordoffP.RobbinsC. (1977). Creative Music Therapy. New York: John Day.
12.
PavlicevicM. (1990). Dynamic interplay in clinical improvisation. Journal of British Music Therapy, 4(2).