AldridgeD. (1989a). A phenomenological comparison of the organization of music and the self. Journal of the Arts in Psychotherapy, 16 (2):91–97.
2.
AldridgeD. (1989b). The development of a research strategy for music therapists in a hospital setting. Journal of the Arts in Psychotherapy, 17 (3):231–237.
3.
AldridgeD. (1989c). Physiological change, communication and the playing of improvised music: Some proposals for research. Journal of the Arts in Psychotherapy, (in press).
4.
AldridgeD. (1989d). Music, communication and medicine: Discussion paper. Journal of the Royal Society of Medicine, 82:743–745.
5.
BuddeE. (1989). Musik-Klang-Farbe. Musik und Bildung, Praxis Musikerziehung, 2:68–75.
6.
FulderS. (1988). The Handbook of Complementary Medicine. London: Coronet.
7.
GrohmannW. (1987). Paul Klee. London: Thames and Hudson.
8.
HallD. (1977). Klee. London: Phaidon.
9.
LangerS. (1953). Feeling and Form: A theory of art. London: Routledge and Kegan Paul.
10.
MorenoJ. J. (1988). The music therapist: Creative arts therapist and contemporary shaman. Journal of the Arts in Psychotherapy, 15:271–280.
11.
NordoffP.RobbinsC. (1977). Creative Music Therapy. New York: John Day.
12.
SchmaisC. (1988). Creative arts therapies and shamanism: A comparison. Journal of the Arts in Psychotherapy, 15:281–291.