Editorial: What's in a Word?

Abstract

Get full access to this article

View all access options for this article.

References

Aigen

(1999) The True Nature of Music-Centred Music Therapy Theory. British Journal of Music Therapy 13 (2) pp77–82.

Ansdell

(1995) Talking about Music Therapy: A Dilemma and a Qualitative Experiment, British Journal of Music Therapy 9 (2) pp4–16.

Ansdell

(2001) Music Therapist's Dilemma (Editorial), British Journal of Music Therapy 15 (1), pp2–3.

Ansdell

(2005) Musicing, Time and Transcendence: Theological Themes for Music Therapy, British Journal of Music Therapy 19 (1) pp20–28.

Brown

S. M. K.

(1994) Autism and Music Therapy: Is Change Possible, and Music?, Journal of British Music Therapy 8 (1) pp15–25.

Brown

(1999) Some Thoughts on Music, Therapy, and Music Therapy, British Journal of Music Therapy 13 (2) pp59–62.

Darnley-Smith

(2009) What Has Schopenhauer's Theory of Music to Contribute to an Understanding of Improvisational Music Therapy?, British Journal of Music Therapy 23 (1) pp35–43.

Davis

Magee

(2001) Clinical Improvisation within Neurological Disease, British Journal of Music Therapy 15 (2) pp51–60.

Glyn

(2003) New York Mining Disaster, British Journal of Music Therapy 17 (2) pp97–104.

10.

John

(1992) Towards Music Psychotherapy, Journal of British Music Therapy 6 (1) pp10–12.

11.

Johnson

(2007) The Meaning of the Body: Aesthetics of Human Understanding. Chicago & London: University of Chicago Press.

12.

Lee

C. A.

(1990) Structural Analysis of Post-Tonal Therapeutic Improvisatory Music, Journal of British Music Therapy 4 (1) pp6–20.

13.

Levinge

(1990) ‘The Use of I and Me’: Music Therapy with an Autistic Child, Journal of British Music Therapy 4 (2) pp15–18.

14.

Neale

(2010) Organisational Anxiety, Envy and Defenses: In and Out of the Music Therapy Room, British Journal of Music Therapy 24 pp42–49.

15.

Procter

(1999) The Therapeutic Musical Relationship: A Two-Sided Affair? A Consideration of the Significance of the Therapist's Musical Input in Co-Improvisation, British Journal of Music Therapy 13 (1) pp28–37.

16.

Quinodoz

(2003) Words That Touch: A Psychoanalyst Learns to Speak. London: Karnac Books (transl. Slotkin

17.

Streeter

(1999) Finding a Balance between Psychological Thinking and Musical Awareness in Music Therapy Theory: A Psychoanalytic Perspective, British Journal of Music Therapy 13 (1) pp5–20.

18.

Toolan

Coleman

(1995) Music Therapy, a Description of Process: Engagement and Avoidance in Five People with Learning Disabilities, British Journal of Music Therapy 9 (1) pp17–24.

19.

Towse

(1997) Group Analysis and Improvisation: A Musical Perspective, British Journal of Music Therapy 11 (2) pp51–55.

20.

Usher

(1998) Lighting up the Mind: Evolving a Model of Consciousness and its Application to Improvisation in Music Therapy, British Journal of Music Therapy 12 (1) pp4–19.

21.

Wetherick

(2009) In Search of a Theory: Reflections on Music Therapy and Psychodynamics, British Journal of Music Therapy 23 (2) pp32–40.

22.

Woodcock

(1987) Towards Group Analytic Music Therapy, Journal of British Music Therapy 1 (1) pp16–21.