The ‘art object’ as an epistemic process: Contesting difference in mounting an exhibition of paintings of the ‘Middle East’

Abstract

This article explores how the topic of ‘Orientalism’ is addressed by art museum actors as part of practices implicated in exhibition development. The author demonstrates how different articulations of the ‘art object’ emerge as unfolding epistemic objects through which actors work to manage their working relationships and the uncertainties and risks that transpire during the exhibition development process from tackling notions of ‘difference’. She argues that these competing material and performative configurations of the ‘art object’ shape contingent forms of action, knowledge and agency, and are aligned to, and resourceful for, professional practices, identity and expertise. These configurations influence how ‘difference’ is addressed and managed as part of ‘cultural diversity’ initiatives in the art museum.