In this article, the authors relate brief stories of episodes spanning a period of 10 years when they worked with Australian Aboriginal groups and individuals as they incorporated digital technologies into their cultural practices. Their story telling is leavened with a dissonant working imaginary designed to interrupt both itself and the stories. As their stories of their digital lives proceed, however, the carefully contrived, resourceful dissonance unexpectedly recedes as the new and surprising digital lives that form part of their collectives evade the grasp of their interrupting tool.
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