Abstract
The article examines the images and texts on privately operated public buses in contemporary Calcutta as a form of popular culture. By situating the vehicular art within the larger socio-political milieu of the city, this paper analyzes the manner in which the artwork acts as a unique mode of communication and everyday resistance. A close reading of the relation between the images and texts enables us to grasp the spatial logic by which subaltern groups make room for themselves within the bourgeois frame of the city.
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