Response to ‘Skin and the Self: Cultural Theory and Anglo-American Psychoanalysis’

Anzieu, D. ( 1989) The Skin Ego: A Psychoanalytic Approach to the Self. New Haven, CT: Yale University Press.

Battersby, Christine ( 1998) Phenomenal Woman: Feminist Metaphysics and the Patterns of Identity. Cambridge: Polity.

Bick, E. ( 1987) ‘The Experience of the Skin in Early Object Relations’ , pp. 114-18 in M. Harris (ed.) The Collected Papers of Martha Harris and Esther Bick. Perthshire: Clunie Press.

Bordo, Susan ( 2003) Unbearable Weight: Feminism, Western Culture, and the Body. Berkeley, CA: University of California Press.

‘The Evolution of Wigman’s Dance Technique’ (1986) Videotape, New York Public Library, Dance Collection.

Foster, Susan Leigh ( 2002) Dances That Describe Themselves: The Improvised Choreography of Richard Bull. Middletown, CT: Wesleyan University Press.

Foucault, Michel ( 1980) Power/Knowledge, Selected Interviews and Other Writings 1972-1977, edited by Colin Gordon. Hemel Hempstead: Harvester Wheatsheaf.

Godard, Hubert ( 1994) ‘Reading the Body in Dance: A Model’, trans. Ruth Barnes and Aline Newton, URL (consulted June 2007): http://www.seishindo.org/articles/hubert_godard1.html

Grosz, Elizabeth ( 1984) Volatile Bodies: Towards a Corporeal Feminism. Bloomington, IN: Indiana University Press.

Kestenberg, Judith ( 1967) The Role of Movement Patterns in Development, vol. 1. New York: Dance Notation Bureau.

Laban, Rudolf ( 1984) A Vision of Dynamic Space, compiled by Lisa Ulmann. London: The Falmer Press.

Lafrance, Marc ( 2009) ‘Skin and the Self: Cultural Theory and Anglo-American Psychoanalysis’, Body & Society 15(3): pp. 3-24.

Louppe, Laurence ( 1996) ‘Singular, Moving Geographies: An Interview with Hubert Godard’, Writings on Dance: The French Issue 15: 12-21.

Massumi, Brian ( 2002) Parables for the Virtual: Movement, Affect, Sensation . Durham, NC: Duke University Press .

Novack, Cynthia J. ( 1990) Sharing the Dance: Contact Improvisation and American Culture. Madison, WI: University of Wisconsin Press.

Ogden, T. ( 1989) The Primitive Edge of Experience. New Brunswick, NJ: Jason Aronson.

Partsch-Bergsohn, Isa ( 1994) Modern Dance in Germany and the United States. Chur, Switzerland: Harwood Academic Publishers.

Reynolds, Dee ( 2007) Rhythmic Subjects: Uses of Energy in the Dances of Mary Wigman, Martha Graham and Merce Cunningham. Alton: Dance Books.