Bordo, S. (1993) Unbearable Weight: Feminism, Western Culture, and the Body. Berkeley, CA: University of California Press.
2.
Bourdieu, P. (1980) The Logic of Practice. Stanford , MA: Stanford University Press.
3.
Bourdieu, P. (2005) `Habitus', pp. 43—9 in J. Hillier and E. Rooks (eds) Habitus: A Sense of Place. Aldershot : Ashgate.
4.
Butler, J. (1988) `Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory', Theatre Journal40(4): 519—31.
5.
Butler, J. (1990) Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
6.
Butler, J. (1993) Bodies That Matter: On the Discursive Limits of `Sex'. New York: Routledge.
7.
Butler, C. (2002) Postmodernism: A Very Short Introduction. Oxford: Oxford University Press.
8.
Butler, J. (2004) Undoing Gender. New York: Routledge.
9.
Cindy Sherman: An Interview (1981) Interview with Carol Ann Klonairides, dir. Michael Owen. Dist. Video DataBank.
10.
Crimp, D. (1979) `Pictures', October8: 75—88.
11.
Danto, A. (1990) `Photography and Performance: Cindy Sherman's Stills ', pp. 5—14 in C. ShermanUntitled Film Stills. New York: Rizzoli.
12.
Durand, R. (2006) `A Reading of Cindy Sherman's Works 1975—2006 ', pp. 230—68 in R. Durand (ed.) Cindy Sherman. Paris: Flammarion /Editions Jeu de Paume.
13.
Elliott, A. (2001) Concepts of the Self. Cambridge : Polity.
14.
Honigman, A.F. (2005) `White: Whiteness and Race in Contemporary Art: ICP', Modern Painters March: 100.
15.
Jencks, C. (1977) The Language of Postmodern Architecture. New York: Rizzoli.
16.
Jenkins, R. (2005) `Habitus', pp. 352—3 in G. Ritzer (ed.) Encyclopedia of Social Theory (Volume One) . Thousand Oaks, CA: Sage.
17.
Koski, L. (1990) `The Faces of Cindy Sherman', W 29 October—5 November.
18.
Lemmon, N. (1993/4) `The Sherman Phenomenon: A Foreclosure of Dialectical Reasoning', Discourse (Winter): 100—17.
19.
Lubbock, T. (2003) `Visual Arts: The Make-Up Girl', Independent, 3 June: 14—15.
20.
Marzorati, G. (1983) `Imitation ofLife', Artnews September.
21.
Owens, C. (1992) `The Allegorical Impulse: Toward a Theory of Postmodernism (Part Two)', pp. 58—80 in Beyond Recognition: Representation, Power, and Culture. Berkeley, CA: University of California Press.
22.
Phelan, P. (1993) `Developing the Negative: Mapplethorpe, Schor, and Sherman', pp. 34—70 in Unmarked: The Politics of Performance . New York: Routledge.
23.
Schwabsky, B. (2001) `Cindy Sherman', Artforum January: 132.
24.
Sedgwick, E.K. and M. Moon (1993) `Divinity: A Dossier, A Performance Piece, A Little-Understood Emotion', pp. 215—51 in E.K. SedgwickTendencies. Durham, NJ: Duke University Press.
25.
Sherman, C. (2001) The Early Work of Cindy Sherman. New York: Glenn Horowitz.
26.
Sherman, C. (2003) `The Making of Untitled', pp. 4—16 in C. Sherman and D. Frankel (eds) The Complete Untitled Film Stills. New York: The Museum of Modern Art.
27.
Solomon-Godeau, A. (1991) `Suitable for Framing: The Critical Recasting of Cindy Sherman', Parkett29: 112—15.
28.
Steiner, R. (2003) `Cast of Characters', pp. 7—23 in R. Steiner and C. Sherman (eds) Cindy Sherman. London: Serpentine Gallery.
29.
Williamson, J. (1986) `A Piece of the Action', pp. 91—114 in Consuming Passions: The Dynamics of Popular Culture. London : Marion Boyars.