Agamben, G.
(1998) Homo Sacer: Sovereign Power and Bare Life.
Stanford, CA: Stanford University Press
.
2.
Benjamin, W.
(2002) ‘The Work of Art in the Age of its
Technological Reproducibility’, pp.
101–133 in Selected Works.
Cambridge, MA: The Belknap Press
.
3.
Brakel-Papenhuyzen, C.
(1995) Classical Javanese Dance: The Surakarta Tradition and
its Terminology.
Leiden: KITLV Press
.
4.
Brinson, P.
and
C. Crisp
(1980) A Guide to the Repertory: Ballet and Dance.
Newton Abbott: David and Charles
.
5.
Brodersen, M.
(1996) Walter Benjamin: A Biography.
London: Verso
.
6.
Clarke, M.
and
C. Crisp
(1984) Dancer: Men in Dance.
London: British Broadcasting Corporation
.
7.
Craine, D.
and
J. Mackrell
(2000) The Oxford Dictionary of Dance.
Oxford: Oxford University Press
.
8.
Cunningham, M.
(1985) The Dancer and the Dance.
New York: Marian Boyars
.
9.
Foucault, M.
(1979) History of Sexuality, Vol. 1: The Will to
Knowledge.
Harmondsworth: Penguin
.
10.
Foulkes, Julia L.
(2002) Modern Bodies: Dance and American Modernism from
Martha Graham to Alvin Ailey.
Chapel Hill: University of Northern Carolina Press
.
11.
Fowler, B.
(1997) Pierre Bourdieu and Cultural Theory: Critical
Investigations.
Thousand Oaks, CA: Sage
.
12.
Jenkins, R.
(1992) Pierre Bourdieu.
London: Routledge
.
13.
Kopelson, K.
(1997) The Queer Afterlife of Vaslav Nijinsky.
Stanford, CA:Stanford University Press
.
14.
Lane, J.F.
(2000) Pierre Bourdieu: A Critical Introduction.
London: Pluto Press
.
15.
Lieven, P.
(1936) The Birth of Ballets-Russes.
London: Allen and Unwin
.
16.
Lin Cunxin
(2003) Mao's Last Dancer: A Memoir.
New York: G.P. Putnam's Sons
.
17.
Parsons, T.
(1999) ‘Religion in Postindustrial
Society’, pp. 300–320 in
B.S. Turner
(ed.) The Talcott Parsons Reader.
Oxford: Blackwell
.
18.
Savigliano, M.E.
(1995) Tango and the Political Economy of Passion.
Boulder, CO: Westview Press
.
19.
Shusterman, R.
(1992) Pragmatist Aesthetics: Living Beauty, Rethinking
Art.
Oxford: Blackwell
.
20.
Shusterman, R.
(ed.) (1999) Bourdieu: A Critical Reader.
Oxford: Blackwell
.
21.
Shusterman, R.
(2002) Surface and Depth: Dialectics of Criticism and
Culture.
Ithaca, NY and London: Cornell University Press
.
22.
Shusterman, R.
(2005) Performing Live: Aesthetic Alternatives for the Ends
of Art.
Ithaca, NY and London: Cornell University Press
.
23.
Silcott, M.
(1999) Rave America: New School Dancescapes.
Toronto: ECW Press
.
24.
Sparshott, F.
(1995) A Measured Pace: Toward a Philosophical Understanding
of the Arts of Dance.
Toronto: University of Toronto Press
.
25.
Thomas, H.
(2003) The Body, Dance and Cultural Theory.
Basingstoke: Palgrave
.
26.
Turner, B.S.
(1994) ‘Introduction’, pp.
1–36 in C. Buci-Glucksmann's Baroque
Reason: The Aesthetics of Modernity.
London: Sage
.
27.
Turner, B.S.
and
S. Wainwright
(2003a) ‘Narratives of Embodiment: Body, Aging
and Career in Royal Ballet Dancers’, pp.
98–120 in
H. Thomas
and
J. Ahmed
(eds) Cultural Bodies. Ethnography and Theory.
Oxford: Blackwell
.
28.
Turner, B.S.
and
S. Wainwright
(2003b)
‘Corps de Ballet: The Case of the Injured Ballet Dancer’
, Sociology of Health and Illness25(3):
269–288
.
29.
Wulff, H.
(1998) Ballet across Borders: Career and Culture in the World
of Dancers.
Oxford: Berg
.
30.
Zheng, Y.
(2005) ‘ Swan Laketo Red Girl's
Regiment’, in Cambridge Companion to Ballet.
Cambridge: Cambridge University Press
.