Abstract
Using Edison’s electric pen as a case study, this article examines the role of media narratives in determining the ways in which a new medium is finally judged a success or failure. By challenging the narrative of the electric pen as a failed technology, it maintains that oppositional criteria such as new/old, winner/loser and successful/obsolete are counterproductive to a meaningful understanding of technical media. Instead, this article seeks to reposition and reappraise the electric pen, not as a study in failure and obsolescence, but as a site for the implementation of powerful cultural narratives that helped to define individuality and human agency in the beginnings of the modern age.
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