The present is a critical time in augmented reality's (AR) definition, as a new medium with aesthetics and conventions just beginning to emerge. We are at a moment when we can look both to the future and to the past: still seeing the previous forms that are shaping AR as a medium while paving new paths, contributing to novel styles and tropes. This article will work toward defining an aesthetics of AR as a new medium in transition, discussing my work as both an artist and a researcher in AR.
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