Current developments in high-definition technological systems for home viewing link definitively with early Home Cinema, as practised from the late 1890s, as an alternative to public spectatorship. The traditions of Home Cinema, in encompassing degrees of informality, interaction and control within domestic exhibition, served to lay foundations for a televisual experience which, today, having come full-circle, is defining itself once more as `Home Cinema'.
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6.
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7.
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8.
Home Movies & Home Talkies (1933) 2(6): 126.
9.
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Luckett, M. (1995), `Filming the Family: Home Movie Systems and the Domestication of Spectatorship', The Velvet Light Trap36: 22—3.
11.
Ouellette, L. (1995) `Camcorder Dos and Don'ts: Popular Discourses on Amateur Video and Participatory Television', The Velvet Light Trap36: 33.
12.
Pearson, G. (1957), Flashback: The Autobiography of a British Filmmaker . London: George Allen & Unwin Ltd.
13.
Preston Family, The (1930s) Glengarry Cinema Topical News, courtesy of the North West Film Archive, Manchester Metropolitan University.
14.
Roepke, M. and Verheul, H. (2002) `Ernemann-Project: 100 Years “Heimkino” for 17.5mm Film', presentation given at the annual meeting of the European Association Inedits, Helsinki, November.
15.
Sewell, G.H. (1938) Amateur Cine World IV(10): 501.
16.
Singer, B. (1988) `Early Home Cinema and the Edison Home Projecting Kinetoscope', Film History2: 51.
17.
Townshend, Marchioness (1913) `The Cinema as a Family Record', Pathé Cine Journal1(8): 27.
