This article examines the role of the straight line in perspectival art through a close discussion of two 15th century paintings, from Italy and the Netherlands. The discussion here suggests that the convergence of Art with Science occurring in the Renaissance period subsequently played a significant role in early management writings. The article, through these two paintings, argues that the rules governing Science may have conditioned the understanding of studies of management to produce accounts that appear to be persuasive but upon closer, informed inspection fail to engage with its essence. Thus, producing accounts that are disappointing and this may help to explain the juncture that continues to pervade the division between management practice and theory.
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