Women and Gender Studies,Italian Style

Baritono, Raffaella and Elisabetta Vezzosi ( 2003) ‘Gli studi di storia americana tra Italia e Stati Uniti’, pp. 145-168 in A. Rossi-Doria (ed.) A che punto è la storia delle donne in Italia. Rome: Viella.

Bono, Paola and Sandra Kemp ( 1991) ‘Introduction: Coming from the South’, pp. 1-29 in P. Bono and S. Kemp (eds) Italian Feminist Thought. London : Blackwell.

Buttafuoco, Annarita ( 1993) ‘On "Mothers" and "Sisters": Fragments on Women/ Feminism/ Historiography’, pp. 170-85 in S. Kemp and P. Bono (eds) The Lonely Mirror: Italian Perspectives on Feminist Theory. London: Routledge.

Cavarero, Adriana ( 1993) ‘Towards a Theory of Sexual Difference’, pp. 189-221 in S. Kemp and P. Bono (eds) The Lonely Mirror: Italian Perspectives on Feminist Theory. London: Routledge.

Cavarero, Adriana ( 2002) ‘Il pensiero femminista. Un approccio teoretico’ , pp. 78-115 in A. Cavarero and F. Restaino (eds) Le filosofie femministe. Milan : Bruno Mondadori.

Davis, Kathy ( 2007) The Making of Our Bodies, Ourselves. Durham, NC: Duke University Press.

De Lauretis, Teresa ( 1984) Alice Doesn’t: Semiotics, Feminism, Cinema. Bloomington: Indiana University Press.

De Lauretis, Teresa ( 1989) ‘The Essence of a Triangle or, Taking the Risk of Essentialism Seriously: Feminist Theory in Italy, the US, and Britain’ , differences 2: 1-37.

De Lauretis, Teresa ( 1990) ‘The Practice of Sexual Difference and Feminist Thought in Italy: An Introductory Essay’, pp. 1-21 in the Milan Women’s Bookstore Collective, Sexual Difference: A Theory of Social-Symbolic Practice. Bloomington: Indiana University Press.

Detassis, Piera and Giovanna Grignaffini , eds (1981) Sequenza segreta. Milan: Feltrinelli.

Di Cori, Paola and Donatella Barazzetti , eds (2001) Gli studi delle donne in Italia. Rome: Carocci editore .

Kaplan, E. Ann ( 1983) Women and Film: Both Sides of the Camera. London: Routledge.

Kemp, Sandra and Paola Bono , eds (1993) The Lonely Mirror: Italian Perspectives on Feminist Theory. London: Routledge .

Merck, Mandy ( 2007) ‘Mulvey’s Manifesto’, Camera Obscura 22(3): 1-23.

Mulvey, Laura ( 1975) ‘Visual Pleasure and Narrative Cinema’, Screen 16(3): 6-18.

Muraro, Luisa ( 1985) Guglielma e Maifreda. Storia di un’eresia femminista . Milan: La Tartaruga.

Muraro, Luisa ( 1991) L’ordine simbolico della madre. Rome: Editori Riuniti.

Pravadelli, Veronica ( 2000, 2008) Performance, Rewriting, Identity. Chantal Akerman's Postmodern Cinema. Turin: Otto.

Ruby Rich, B. ( 1998) Chick Flicks: Theories and Memories of the Feminist Film Movement. Durham, NC: Duke University Press.

Rossi-Doria, Anna , ed. (2003) A che punto è la storia delle donne in Italia. Rome: Viella.

Scaraffia, Lucetta and Gabriella Zarri ( 1999) Women and Faith: Catholic Religious Life in Italy from Late Antiquity to the Present. Cambridge, MA: Harvard University Press.

Soldani, Simonetta ( 2003) ‘L’incerto profilo degli studi di storia contemporanea’ , pp. 63-80 in A. Rossi-Doria (ed.) A che punto è la storia delle donne in Italia. Rome: Viella.

Zarri, Gabriella ( 2000) Recinti. Donne, clausura e matrimonio nella prima età moderna. Bologna: Il Mulino.