Sentimental Contracts

Agee James Evans Walker , 1941, Let Us Now Praise Famous Men, Houghton-Mifflin, Boston

Ang Ien , 1985, Watching Dallas: Soap Opera and the Melodramatic Imagination, Methuen, London

Breines Wini , 1982, Community and Organization in the New Left, 1962–1968: The Great Refusal, Praeger, New York

Brooks Peter , 1976, The Melodramatic Imagination: Balzac, Henry James, Melodrama and the Mode of Excess, Yale University Press, New Haven

Browder Earl , 1938, The People's Front, International Publishers, New York

Byars Jackie , 1991, All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama, University of North Carolina Press, Chapel Hill

Clark Suzanne , 1990, Sentimental Modernism: Women Writers and the Revolution of the Word, Indiana University Press, Bloomington

Denning Michael , 1987, Mechanic Accents: Dime Novels and Working-Class Culture in America, Verso, London

Faue Elizabeth , 1987, Community of Suffering and Struggle, University of North Carolina Press, Chapel Hill

Foner Philip S , 1983, ‘A Martyr to His Cause: The Scenario of the First Labour Film in the United States’, Labour History, 24, Winter, 103–111

Gellert Hugo , 1934, Karl Marx ‘Capital’ in Lithographs, Ray Long and Richard Smith, New York

Gilfillan Lauren (Harriet Woodbridge), 1934, I Went to Pit College, Literary Guild, New York

Gledhill Christine , 1987, ‘The Melodramatic Field: An Investigation’, in Home is Where the Heart Is: Studies in Melodrama and the Woman's Film, ed Gledhill C. , BFI, London

Green Hardy , 1990, On Strike at Hormel: The Struggle for a Democratic Labour Movement, Temple University Press, Philadelphia

Hine Lewis W , (1932) 1977, Men At Work: Photographic Studies of Modern Men and Machines, Dover Publications Inc, New York

Hunt Lynn , 1992, The Family Romance of the French Revolution, University of California Press, Berkeley

Klein Michael Klein Jill , 1974, ‘Native Land: An Interview with Leo Hurwitz’, Cineaste 6, 7

King Noel , 1981, ‘Recent “Political” Documentary: Notes on Union Maids and Harlan County, USA’, Screen 22(2), 7–18

Law Jane N , 1986, ‘Designing the Dream’, in Streamlining America, ed Weingartner Fania Ford Henry Museum and Greenfield Village, Dearborn

Lemisch Jesse , ‘I dreamed I saw MTV last night’, The Nation, 18 October 1986, cover, 374–376

Lerner Tillie [Olsen], 1987, ‘The Strike’, Partisan Review, 1 (November 1936), reprinted in Nekola Charlotte Rabinowitz Paula , eds, Writing Red: An Anthology of American Women Writers, 1930–1940, Feminist Press, New York, 245

McCall Anthony Tyndall Andrew , 1978, ‘Sixteen Working Statements’, Millennium Film Journal, 1, Spring/Summer. 29–37

Markley Robert , 1987, ‘Sentimentality as Performance: Shaftesbury, Sterne and the Theatrics of Virtue’, in The New Eighteenth Century, ed Nussbaum Felicity Brown Laura , Methuen, New York

Nekola Charlotte Rabinowitz Paula , eds 1987, Writing Red: An Anthology of American Women Writers, 1930–1940, Feminist Press, New York

Rabinowitz Paula , 1991, Labour and Desire: Women's Revolutionary Fiction in Depression America, University of North Carolina Press, Chapel Hill

Rachleff Peter , 1993, Hardpressed in the Heartland, South End Press, Boston

Rachleff Peter , 1992, review of American Dream, The Oral History Review, 20, Spring/Fall, 94–96

Reece Florence , 1987, ‘Which Side Are You On?’, in Writing Red: An Anthology of American Women Writers, 1930–1940, eds Nekola Charlotte Rabinowitz Paula , Feminist Press, New York, 182

Rogovin Milton Frisch Michael , 1993. Portraits in Steel, Ithaca University Press, Cornell

Ross Steven J , 1991, ‘Struggles for the Screen; Workers, Radicals and the Political Uses of Silent Film’, American Historical Review, 96, April, 333–367

Scott Joan W , 1988, Gender and the Politics of History, Columbia University Press, New York

Smith Terry , 1993, Making the Modern: Industry, Art and Design in America, University of Chicago Press, Chicago

Vicinus Martha , 1981, ‘Helpless and Unfriended: Nineteenth-Century Domestic Melodrama’, New Literacy History, 13, Autumn, 127–143