This article remembers the foundational years of Tom O’Regan’s academic career, focusing in particular on three scholarly initiaves - two book publications, An Australian Film Reader (1985) and The Australian Screen (1989) both co-edited with Albert Moran, and his partnership with Brian Shoesmith in founding the journal Continuum.
DermodySJackaE (1987) The Screening of Australia: Anatomy of a National Cinema, vol. 1. Sydney, NSW, Australia: Currency Press.
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DermodySJackaE (1988) The Screening of Australia: Anatomy of a Film Industry, vol. 2. Sydney, NSW, Australia: Currency Press.
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FlausJ (1992) Thanks for your heart, Bart. Continuum5(2): 179–224.
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HindeJ (1985) Barry Mackenzie and Alvin ten years later. In: MoranAO’ReganT (eds) An Australian Film Reader. Sydney, NSW, Australia: Currency Press, pp. 184–187.
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HindleyM (2008) Not quite Hollywood: the wild untold story of Ozploitation film (Documentary film). Melbourne, VIC, Australia: Madman Entertainment.
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MillerG (1979) Mad Max [film]. Australia.
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MillerGT (1982) The Man From Snowy River [film]. Australia.
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MoranAO’ReganT (eds) (1985) An Australian Film Reader. Sydney, NSW, Australia: Currency Press.
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MoranAO’ReganT (eds) (1989) The Australian Screen. Ringwood, VIC, Australia: Penguin Books.
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O’ReganT (1982) Ride the high country – The man from Snowy River and Australian popular culture. Filmnews, 1September, pp. 8–9.
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O’ReganT (1989a) Cinema Oz: the Ocker films. In: MoranAO’ReganT (eds) The Australian Screen. Ringwood, VIC, Australia: Penguin Books, pp. 75–98.
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O’ReganT (1989b) The enchantment with cinema: film in the 1980s. In: MoranAO’ReganT (eds) The Australian Screen. Ringwood, VIC, Australia: Penguin Books, pp. 118–146.
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O’ReganT (1990a) Preface. Continuum2(2): 4.
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O’ReganT (1990b) TV as cultural technology: the work of Eric Michael. Continuum2(2): 53–98.
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O’ReganTShoesmithB (eds) (1985) The Moving Image: Film and Television in Western Australia 1896-1985. Perth, WA, Australia: History and Film Association of W.A.
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O’ReganTShoesmithB (eds) (1987) History on/and/in Film: Proceedings of the Third History and Film Conference Perth 1985. Perth, WA, Australia: History and Film Association of W.A.
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RichardsonJ (1993a) Introduction to William Routt’s ‘Entertainment, Looking (Again)’. Continuum6(2): 130–132.
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RichardsonJ (1993b) Picturing the landscape. Continuum6(2): 107–129.
ThompsonK (1985) Exporting Entertainment: America in the World Film Market, 1914-1934. London: British Film Institute.
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TurnerG (1989) Art directing history: the period film. In: MoranAO’ReganT (eds) The Australian Screen. Ringwood, VIC, Australia: Penguin Books, pp. 99–117.
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WeirP (1975) Picnic at Hanging Rock [film]. Australia.
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WoodR (1985) Quo Vadis Bruce Beresford? In: MoranAO’ReganT (eds) An Australian Film Reader. Sydney, NSW, Australia: Currency Press, pp. 198–203.
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ZurbruggN (1995) Poems on Eggshells: an interview with Nicholas Zurbrugg (conducted by Patrick Buckridge). Queensland Review2(2): 12.