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Abstract

Compiled by Karina Aveyard, March 2021

With the assistance of Rita Shanahan and the contributors to this special issue

Footnotes

ORCID iD

Karina Aveyard

References

O’Regan

(1985) The politics of representation: an analysis of the Australian film revival (digitisation is incomplete). PhD Thesis, Griffith University, Nathan, QLD, Australia. Available at: http://wwwmcc.murdoch.edu.au/ReadingRoom/film/PolRep/PolRepIndex.html

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Goldsmith

(2011) Rating the Audience: The Business of Media. New York: Bloomsbury.

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O’Regan

(2010) Local Hollywood: Global Film Production and the Gold Coast. Brisbane, QLD, Australia: University of Queensland Press.

Goldsmith

O’Regan

(2005) The Film Studio: Film Production in the Global Economy. Lanham, MD: Rowman & Littlefield.

O’Regan

(1996) Australian National Cinema. Abingdon; New York: Routledge.

O’Regan

(1993) Australian Television Culture. Sydney, NSW, Australia: Allen & Unwin.

Balnaves

O’Regan

Sternberg

(eds) (2002) Mobilising the Audience. St Lucia, QLD, Australia: University of Queensland Press.

Moran

O’Regan

(eds) (1989) The Australian Screen. Ringwood, VIC, Australia: Penguin.

Moran

O’Regan

(eds) (1985) An Australian Film Reader. Sydney, NSW, Australia: Currency Press.

10.

O’Regan

Potter

(in press) The past and future of public value: the end of an illustrious career or its reinvention? In: Hjort

Nannicelli

(eds) A Companion to Motion Pictures and Public Value. New York: Wiley-Blackwell.

11.

O’Regan

(in press) Paul Lazarsfeld and Facebook: re-reading personal influence in an age of social media. In: La Caze

Nannicelli

(eds) Truth and Visual Media: Aesthetics, Ethics and Politics. Edinburgh: Edinburgh University Press.

12.

O’Regan

(2019) Recalibrating China in a time of platforms. In: Athique

Baulch

(eds) Digital Transaction in Asia: Economic, Informational and Social Exchanges. London: Routledge, pp. 63–82.

13.

Leotta

O’Regan

(2015) Crossing the ditch: trans-Tasman expats. In: Goldsmith

Ryan

Lealand

(eds) Directory of World Cinema: Australia and New Zealand 2. Bristol, QLD, Australia: Intellect Books, pp. 228–223.

14.

Goldsmith

O’Regan

(2013) Beyond the modular film school: Australian film and television schools and their digital transitions. In: Hjort

(ed.) The Education of the Filmmaker in Europe, Australia and Asia. New York: Palgrave Macmillan, pp. 149–170.

15.

O’Regan

Goldsmith

Ward

(2011) Sydney’s media cluster: continuity and change. In: Karlsson

Picard

(eds) Media Clusters: Spatial Agglomeration and Content Capabilities. Cheltenham: Edward Elgar, pp. 199–222.

16.

Ward

O’Regan

(2010) Fashioning the boutique location: remaking the gold coast as an international production location. In: Elmer

Davis

Marchessault

, et al. (eds) Locating Migrating Media. Lanham, MD: Lexington Books, pp. 79–102.

17.

O’Regan

(2009) Cultural exchange. In: Miller

(ed.) The Contemporary Hollywood Reader. New York: Routledge, pp. 500–525.

18.

O’Regan

(2008) The political economy of film. In: Donald

(ed.) Handbook of Film Studies. Los Angeles, CA: Sage, pp. 244–261.

19.

O’Regan

Ward

(2008) Managing uncertainty: defining the location interests of a greenfields location. In: Wasko

(ed.) Cross-Border Cultural Production: Economic Runaway or Globalization? Amherst, NY: Cambria Press, pp. 155–186.

20.

Goldsmith

O’Regan

(2008) International film production: motivations and interests. In: Wasko

(ed.) Cross-Border Cultural Production: Economic Runaway or Globalization? Amherst, NY: Cambria Press, pp. 13–44.

21.

O’Regan

(2007) Capitalising on anxiety and enterprise: financial literacy and the publishing industry. In: Carter

Galligan

(eds) Making Books: Studies in Contemporary Australian Publishing. St Lucia, QLD, Australia: University of Queensland Press, pp. 315–332.

22.

Goldsmith

O’Regan

(2005) The policy environment of the contemporary film studio. In: Gasher

Elmer

(eds) Contracting out Hollywood: Runaway Productions and Foreign Location Shooting. Lanham, MD: Rowman & Littlefield, pp. 41–66.

23.

O’Regan

(2005) Making sense of UNESCO: reflections on its significance for Australia and internationally. In: Breit

Servaes

(eds) Information Society or Knowledge Societies? UNESCO in the Smart State. Penang, Malaysia: Southbound, pp. 53–72.

24.

O’Regan

(2003) Australia’s television culture. In: Allen

R C

Hill

(eds) The Television Studies Reader. London; New York: Routledge, pp. 79–91.

25.

O’Regan

(2002) A national cinema. In: Turner

(ed.) The Film Cultures Reader. London: Routledge, pp. 139–164.

26.

O’Regan

(2002) Australian cinema as a national cinema. In: Williams

(ed.) Film and Nationalism, East Brunswick, NJ: Rutgers University Press, pp. 89–136.

27.

O’Regan

Goldsmith

(2002) Emerging global ecologies of production. In: Harries

(ed.) The New Media Book. London: British Film Institute, pp. 92–105.

28.

Goldsmith

Thomas

O’Regan

, et al. (2002) Asserting cultural and social regulatory principles in converging media systems. In: Raboy

(ed.) Global Media Policy in the New Millennium. Luton: University of Luton Press, pp. 93–109.

29.

O’Regan

(2002) Arts audiences: becoming audience-minded. In: Balnaves

O’Regan

Sternberg

(eds) Mobilising the Audience. St Lucia, QLD, Australia: University of Queensland Press, pp. 104–130.

30.

O’Regan

Balnaves

(2002) Ratings in transition. In: Balnaves

O’Regan

Sternberg

(eds) Mobilising the Audience. St Lucia, QLD, Australia: University of Queensland Press, pp. 29–64.

31.

O’Regan

(2001) Knowing the processes but not the outcomes: Australian cinema faces the millennium. In: Bennett

Carter

(eds) Culture in Australia: Policies, Publics and Programs. Cambridge: Cambridge University Press, pp. 18–45.

32.

O’Regan

(2001) Cultural policy, cultural planning and creative industries policy making. In: Mercer

(ed.) Convergence, Creative Industries and Civil Society: The New Cultural Policy. Zagreb: Culturelink/Institute for International Relations, pp. 33–50.

33.

O’Regan

(2001) New stories for a digital age. In: Levy

Murphy

(eds) Story / Telling. St Lucia, QLD, Australia: University of Queensland Press, pp. 61–78.

34.

O’Regan

(2001) Profilo storico e nuove tendeze del cinema Australiano. In: Piero Brunetta

Gian

(ed.) Storia del cinema mondiale: Le cinematografie nazionali, Volume 4, America, Africa, Asia, Oceania. Turin: Guilio Einaudi Editore S.p.A, pp. 1037–1098.

35.

O’Regan

Cunningham

(2000) Marginalised audiences. In: Cunningham

Turner

(eds) The Australian TV Book. Sydney, NSW, Australia: Allen & Unwin, pp. 201–212.

36.

O’Regan

(2000) The international circulation of British television. In: Buscombe

(ed.) British Television: A Reader. Oxford: Oxford University Press, pp. 303–321.

37.

O’Regan

(1999) National cinema. In: Murray

McFarlane

Bertrand

(eds) The Oxford Companion to Australian Film. Melbourne, VIC, Australia: Oxford University Press, pp. 344–348.

38.

O’Regan

(1999) Cultural exchange. In: Miller

Stam

(eds) A Companion to Film Theory. Malden, MA: Blackwell Publishing, pp. 262–294.

39.

O’Regan

Venkatasawmy

(1999) A tale of two cities. In: Verhoeven

(ed.) Twin Peeks: Australian and New Zealand Feature Films. St Kilda, VIC, Australia: Damned Publishing, pp. 187–203.

40.

O’Regan

(1994) The Janus face of Australian television: local and imported programming. In: Moran

(ed.) Film Policy: An Australian Reader. Brisbane, QLD, Australia: Institute for Cultural Policy Studies, pp. 87–104.

41.

O’Regan

(1993) The rise and fall of entrepreneurial TV. In: Turner

(ed.) Nation, Culture, Text: Australian cultural and media studies. London: Routledge, pp. 91–105.

42.

O’Regan

(1992) The shakeout of the commercial television industry. In: Moran

(ed.) Stay Tuned: An Australian Broadcast Reader. St Leonards, NSW, Australia: Allen & Unwin, pp. 177–179.

43.

O’Regan

Hartley

(1992) Television in a new way of life. In: Moran

(ed.) Stay Tuned: An Australian Broadcast Reader. St Leonards, NSW, Australia: Allen & Unwin, pp. 146–153.

44.

O’Regan

(1991) Inventing Australian TV. In: Corrigan

Watson

(eds) TV Times: 35 Years of Watching Television in Australia. Sydney, NSW, Australia: Museum of Contemporary Art, pp. 11–14.

45.

O’Regan

(1990) Of the deep north . . . by the deep north . . . for the deep north. In: Dawson

Molloy

Queensland Images in Film and Television. St Lucia, QLD, Australia: University of Queensland Press, pp. 104–111.

46.

O’Regan

(1989) The converging of film and television. In: Tulloch

Turner

(eds) Australian Television: Programs, Pleasures and Politics. Sydney, NSW, Australia: Allen & Unwin, pp. 118–145.

47.

O’Regan

(1989) The enchantment with cinema: film in the 1980s. In: Moran

O’Regan

(eds) The Australian Screen. Ringwood, VIC, Australia: Penguin, pp. 118–146.

48.

O’Regan

(1989) Cinema Oz: the Ocker films. In: Moran

O’Regan

(eds) The Australian Screen. Ringwood, VIC, Australia: Penguin, pp. 75–98.

49.

O’Regan

(1985) The last Tasmanian: documentary in controversy. In: Moran

O’Regan

(eds) An Australian Film Reader. Sydney, NSW, Australia: Currency Press, pp. 127–136.

50.

O’Regan

(1985) The Man from Snowy River and Australian popular culture. In: Moran

O’Regan

(eds) An Australian Film Reader. Sydney, NSW, Australia: Currency Press, pp. 242–251.

51.

O’Regan

Leotta

(2019) Reframing early Australasian cinema: trans-Tasman exchanges during the silent period. Journal of New Zealand and Pacific Studies 6(2): 107–118. Available at: https://doi.org/10.1386/nzps.6.2.107_1

52.

O’Regan

Young

(2019) Journalism by numbers: trajectories of growth and decline of journalists in the Australian census 1961–2016. Media International Australia 172: 13–32. Available at: https://doi.org/10.1177/1329878X19862935

53.

O’Regan

(2018) Between exacerbation and alleviation? Media in transition, social transformation and inclusiveness. Communicare-Journal for Communication in Southern Africa 37(2): 1–16. Available at: https://journals.co.za/doi/abs/10.10520/EJC-127eed92a7

54.

O’Regan

(2018) Revisiting film cities and film services: methodology, theory and applications. Journal of African Cinemas 10(1–2): 9–29. Available at: https://doi.org/10.1386/jac.10.1-2.9_1

55.

Potter

O’Regan

(2018) Pukeko pictures and the Kiwi DIY spirit: building global partnerships from the end of the world. Television and New Media 20(5): 1–17. Available at: https://doi.org/10.1177/1527476418755305

56.

O’Regan

Walmsley-Evans

(2018) The emergence of Australian film criticism. Historical Journal of Film, Radio and Television 38(2): 296–321. Available at: https://doi.org/10.1080/01439685.2017.1300409

57.

O’Regan

Walmsley-Evans

(2016) The film reviewing of Kenneth Slessor: a cine-aesthetics of the sound cinema. Studies in Australasian Cinema 10(2): 211–222. Available at: https://doi.org/10.1080/17503175.2016.1170956

58.

O’Regan

Walmsley-Evans

(2015) Writing the cinema experience: the film review. Lola 6. Available at: http://www.lolajournal.com/6/review.html

59.

O’Regan

Walmsley-Evans

(2015) Towards a history of Australian film criticism. Screening the Past 39. Available at: http://www.screeningthepast.com/issue-39-first-release/towards-a-history-of-australian-film-criticism/

60.

Walmsley-Evans

O’Regan

Mead

(2015) Kenneth Slessor and the sound cinema: the ‘Chief Film Critic whose Reviews are Accepted as the Most Reliable in Australia’. Screening the Past 39, Available at: http://www.screeningthepast.com/issue-39-slessor-dossier/kenneth-slessor-and-the-sound-cinema/

61.

Walmsley-Evans

O’Regan

Mead

(eds) (2015) Kenneth Slessor, selected film reviews, 1933-36. Screening the Past 39. Available at: http://www.screeningthepast.com/issue-39-slessor-dossier/kenneth-slessor-selected-film-reviews-1933-36/

62.

Leotta

O’Regan

(2014) Wellington and Auckland as Australasian media cities. Studies in Australasian Cinema 8(2–3): 96–109. Available at: https://doi.org/10.1080/17503175.2014.947192

63.

O’Regan

Ward

(2014) Making screen production work at the margins: path-dependent development in Brisbane and the Gold Coast. International Journal of Cultural Policy 20(2): 186–201. Available at: https://doi.org/10.1080/10286632.2012.745519

64.

Goldsmith

Ward

O’Regan

(2014) Dino De Laurentiis and Australia: creating a film industry on the Gold Coast. Studies in Australasian Cinema 8(1): 70–75. Available at: https://doi.org/10.1080/17503175.2014.939430

65.

O’Regan

Potter

(2013) Globalisation from within?: the de-nationalising of Australian film and television production. Media International Australia 149: 5–14. Available at: https://doi.org/10.1177/1329878X1314900103

66.

O’Regan

(2013) Reception and exposure in architecture, film and television. Architectural Theory Review 18(3): 272–278. DOI: 10.1080/13264826.2014.875611.

67.

O’Regan

(2013) What matters for cultural studies? Inter-Asia Cultural Studies 14(3): 458–462. Available at: https://doi.org/10.1080/14649373.2013.801620

68.

O’Regan

(2012) Remembering video: reflections on the first explosion of informal media markets through the VCR. Television and New Media 13(5): 383–398. Available at: https://doi.org/10.1177/1527476412443090

69.

O’Regan

(2012) Transient and intrinsically valuable in their impermanence: television’s changing aesthetic norms. Lola 3. Available at: http://www.lolajournal.com/3/tv.html

70.

O’Regan

(2011) Styles of national and global integration: charting media transformation in Australian cities. Studies in Australasian Cinema 5(3): 223–238. Available at: https://doi.org/10.1386/sac.5.3.223_1

71.

Ward

O’Regan

(2011) Defining a national brand: Australian TV drama and the Global TV market. Journal of Australian Studies 35(1): 33–47. Available at: https://doi.org/10.1080/14443058.2010.541928

72.

Ward

O’Regan

Goldsmith

(2010) From neighbours to packed to the rafters: accounting for longevity in the evolution of Aussie soaps. Media International Australia 136: 162–176. Available at: https://doi.org/10.1177/1329878X1013600117

73.

Balnaves

O’Regan

(2010) The politics and practice of television ratings conventions: Australian and American approaches to broadcast ratings. Continuum 24(3): 461–474. Available at: https://doi.org/10.1080/10304311003703090

74.

Ward

O’Regan

(2009) The film producer as the long-stay business tourist: rethinking film and tourism from a Gold Coast perspective. Tourism Geographies 11(2): 214–232. Available at: https://doi.org/10.1080/14616680902827175

75.

Ward

O’Regan

(2007) Servicing the ‘Other Hollywood’: the vicissitudes of an international television production location. International Journal of Cultural Studies 10(2): 167–186. Available at: https://doi.org/10.1177/1367877907076776

76.

O’Regan

Ward

(2006) Experimenting with the local and the transnational: television drama production on the Gold Coast. Continuum 20(1): 17–31. Available at: https://doi.org/10.1080/10304310500475335

77.

O’Regan

Goldsmith

(2006) Making cultural policy, meeting cultural objectives in a digital environment. Television & New Media 7(1): 68–91. Available at: https://doi.org/10.1177/1527476403253922

78.

Goldsmith

O’Regan

(2004) Locomotives and stargates: Inner-City Studio Complexes in Sydney, Melbourne and Toronto. International Journal of Cultural Policy 10(1): 29–45. Available at: https://doi.org/10.1080/1028663042000212319

79.

O’Regan

Ryan

(2004) From multimedia to digital content & applications: transitions in governmental policy towards the (digital) content industries. Media International Australia 112: 28–49. Available at: https://doi.org/10.1177/1329878X0411200105

80.

O’Regan

(2004) The utility of a global forum: UNESCO’s significance for communication, culture and ICTs. Media International Australia 111: 63–80. Available at: https://doi.org/10.1177/1329878X0411100108

81.

Ward

O’Regan

(2004) The Gold Coast movie of the week: a North American form in its Australian context. Metro 143: 100–109. Available at: https://search.informit.org/doi/10.3316/ielapa.955764720655749

82.

O’Regan

(2002) Too much culture, too little culture: trends and issues for cultural policy-making. Media International Australia 102: 9–24. Available at: https://doi.org/10.1177/1329878X0210200104

83.

O’Regan

Garland

Muir

, et al. (2002) Ratings in transition: industry implications. Media International Australia 105: 10–30. Available at: https://doi.org/10.1177/1329878X0210500104

84.

O’Regan

(2000) The end of cinema? The return of cinema? Metro 124–125: 64–76. Available at: https://search.informit.org/doi/10.3316/informit.729131891242262

85.

O’Regan

(2000) Normalising media regulation. Media International Australia 95: 5–8. Available at: https://doi.org/10.1177/1329878X0009500103

86.

O’Regan

Venkatasawmy

(1999) Cinema nationaux: Le cinema Australien face au nouveau millenaire. Cine-Bulles – Revue de Cinema 17(4): 20–27. Available at: https://www.erudit.org/fr/revues/cb/1999-v17-n4-cb1119379/34372ac/

87.

O’Regan

(1998) Thinking about policy utility: some aspects of Australian cultural policy development in a South African context. Critical Arts 12(1–2): 1–25. Available at: https://doi.org/10.1080/02560049885310031

88.

O’Regan

Venkatasawmy

(1998) Only one day at the beach: dark city and Australian filmmaking. Metro 117: 16–25. Available at: https://search.informit.org/doi/10.3316/informit.715492556281260

89.

O’Regan

(1996) Television futures in Australia. Prometheus 14(1): 66–79. Available at: https://doi.org/10.1080/08109029608632017

90.

O’Regan

(1994) Introducing critical multiculturalism. Continuum 8(2): 7–19. Available at: https://doi.org/10.1080/10304319409365667

91.

O’Regan

(1994) Two or three things I know about meaning. Continuum 7(2): 327–374. Available at: https://doi.org/10.1080/10304319409365618

92.

O’Regan

(1994) Situating Australia’s television culture. Metro 98: 25–31. Available at: https://search.informit.org/doi/10.3316/informit.148879996367894

93.

O’Regan

(1992) Radio Daze: some historical & technological aspects of radio. Continuum 6(1): 102–111. Available at: https://doi.org/10.1080/10304319209359384

94.

McHoul

O’Regan

(1992) Towards a paralogics of textual technologies: Batman, Glasnost and relativism in cultural studies. Southern Review 25(1): 5–26. Available at: https://researchrepository.murdoch.edu.au/id/eprint/9718/1/toward_a_paralogics.pdf

95.

O’Regan

(1992) (Mis)taking policy: notes on the cultural policy debate. Cultural Studies 6(3): 409–423. Available at: https://doi.org/10.1080/09502389200490261

96.

O’Regan

(1992) Some reflections on the ‘Policy Moment’. Meanjin 51(3): 517–532. Available at: https://search.informit.org/doi/10.3316/informit.133511906869158

97.

O’Regan

(1992) Too popular by far: on Hollywood’s international popularity. Continuum 5(2): 302–351. Available at: https://doi.org/10.1080/10304319209388240

98.

O’Regan

(1991) From piracy to sovereignty: international video cassette recorder trend. Continuum 4(2): 112–135. Available at: https://doi.org/10.1080/10304319109388202

99.

O’Regan

(1991) The rise and fall of entrepreneurial TV: Australian TV, 1986–90. Screen 32(1): 94–108. Available at: https://doi.org/10.1093/screen/32.1.94

100.

O’Regan

(1990) TV as cultural technology: the work of Eric Michaels. Continuum 3(2): 53–98. Available at: https://doi.org/10.1080/10304319009388166

101.

O’Regan

(1988) Towards a high communication policy: assessing recent changes within Australian broadcasting. Continuum 2(1): 135–158. Available at: https://doi.org/10.1080/10304318809359356

102.

O’Regan

(1988) Australian film in the 1950s. Continuum 1(1): 1–25. Available at: https://doi.org/10.1080/10304318809359316

103.

O’Regan

(1988) ‘Fair Dinkum Fillums’: the Crocodile Dundee phenomenon. Media International Australia 50: 155–175. Available at: https://doi.org/10.1177/1329878X8805000112

104.

O’Regan

(1986) A fine cultural romance: aspects of Australian film in the late 1970’s. Australian Journal of Cultural Studies 4(1): 55–75. Available at: https://wwwmcc.murdoch.edu.au/ReadingRoom/serial/AJCS/AJCSindex.html

105.

O’Regan

(1986) Aspects of the Australian film & TV interface. Australian Journal of Screen Theory, 17–18: 5–33.

106.

O’Regan

(1985) Ocker and the tariff board: the politics of import culture. Australian Journal of Cultural Studies 3(1): 72–88. Available at: https://wwwmcc.murdoch.edu.au/ReadingRoom/serial/AJCS/3.1/3.1.html

107.

O’Regan

(1983) Australian film making: its public circulation. Framework 22–23: 31–36.

108.

O’Regan

Moran

(1983) Two discourses on Australian film. Australian Journal of Screen Theory 15–16: 163–173.

109.

O’Regan

(1981) On screen. Intervention 15: 44–62.

110.

Media International Australia incorporating Culture and Policy, Board Member including period as Publisher (management role), 1999-2015.

111.

Continuum, Co-Founder and Managing Editor 1987-1994 Issues covering the period of Tom’s editorship are digitised and available here: http://wwwmcc.murdoch.edu.au/ReadingRoom/continuum2.html

112.

Continuum issues edited by Tom:

113.

(1987) Australian Film in the 1950s Continuum 1(1)

114.

(1998/9) Asian Cinema Continuum 2(1), with Brian Shoesmith

115.

(1990) Communication and Tradition: Essays after Eric Michaels Continuum 3(2)

116.

(1994) Screening Cultural Studies Continuum 7(2), with Toby Miller

117.

(1994) Critical Multiculturalism Continuum 8(2)

118.

O’Regan

Cox

(2005) Australian Entertainment Industry Association Live Attendance and Ticketing Survey. Melbourne, VIC, Australia: AEIA. Available at: https://liveperformance.com.au/wp-content/uploads/2019/07/ticket_attendance_revenue_survey_2005.pdf

119.

Goldsmith

O’Regan

(2003) Cinema Cities, Media Cities: The Contemporary International Studio Complex. Sydney, NSW, Australia: Australian Film Commission. Available at: https://eprints.qut.edu.au/83651/1/streport-final.pdf

120.

O’Regan

(2001) Cultural Policy: Rejuvenate or Wither (Professorial Lecture). Nathan, QLD, Australia: Griffith University. Available at: https://research-repository.griffith.edu.au/bitstream/handle/10072/368690/oregan01.PDF?sequence=1

121.

O’Regan

Goldsmith

Thomas

, et al. (2001) The Future for Local Content? Options for Emerging Technologies. Sydney, NSW, Australia: Australian Broadcasting Authority. Available at: https://trove.nla.gov.au/work/32515297

122.

Goldsmith

Thomas

O’Regan

, et al. (2001) Cultural and Social Policy Objectives for Broadcasting in Converging Media Systems. Brisbane, QLD, Australia: Australian Key Centre for Cultural and Media Policy. Available at: https://apo.org.au/sites/default/files/resource-files/2002-05/apo-nid5465.pdf

123.

O’Regan

(1995) Beyond ‘Australian’ film? Australian cinema in the 1990s. Perth, WA, Australia: Centre for Research in Culture and Communication (Murdoch University). Available at: http://wwwmcc.murdoch.edu.au/ReadingRoom/film/1990s.html

124.

O’Regan

(1995) Australian Film in the 1970s: The Ocker and the Quality Film. Perth, WA, Australia: Centre for Research in Culture and Communication (Murdoch University). Available at: https://wwwmcc.murdoch.edu.au/ReadingRoom/film/1970s.html

125.

O’Regan

(1992) The international, the regional and the local: Hollywood’s new and declining audiences. In: Jacka

(ed.) Continental Shift: Globalisation and Culture. Sydney, NSW, Australia: Local Consumption Publications, pp. 74–98.

126.

O’Regan

(1988) The background to TV networking. In: More

Lewis

(eds) Australian Communications Technology and Policy: A Reader. Sydney, NSW, Australia: Centre for Information Studies Publications, pp. 127–143.

127.

O’Regan

(1987) Re-thinking the Revival. In: O’Regan

Shoesmith

(eds) History on/and/in Film: Proceedings of the Third History and Film Conference Perth 1985. Perth, WA, Australia: History and Film Association of W.A. Available at: http://wwwmcc.murdoch.edu.au/ReadingRoom/hfilm/OREGAN.html

128.

O’Regan

Shoesmith

(eds) (1985) The Moving Image: Film and Television in Western Australia 1896-1985. Perth, WA, Australia: History and Film Association of W.A. Available at: https://wwwmcc.murdoch.edu.au/readingroom/film/image/index.html

129.

O’Regan

(1985) Film societies and festivals in WA. In: O’Regan

Shoesmith

(eds) The Moving Image: Film and Television in Western Australia 1896-1985. Perth, WA, Australia: History and Film Association of W.A. Available at: https://wwwmcc.murdoch.edu.au/readingroom/film/image/oregan.html

130.

Hartley

O’Regan

(1985) Quoting not science but sideboards: television in a new way of life. In: O’Regan

Shoesmith

(eds) The Moving Image: Film and Television in Western Australia 1896-1985. Perth, SA, Australia: History and Film Association of W.A. Available at: https://wwwmcc.murdoch.edu.au/readingroom/film/image/Hartley.html

131.

O’Regan

Hiltula

(1985) Perth commercial TV after 1965. In: O’Regan

Shoesmith

(eds) The Moving Image: Film and Television in Western Australia 1896-1985. Perth, WA, Australia: History and Film Association of W.A. 75–82. Available at: https://wwwmcc.murdoch.edu.au/readingroom/film/image/Hiltula.html

132.

O’Regan

(1984) Writing on Australian Film History: Some Methodological Comments (Occasional Paper). Sydney, NSW, Australia: Local Consumption Publication.

133.

O’Regan

Greenfield

(1982) Problems with post-freudo-marxist analysis. In: Botsman

(ed.) Theoretical Strategies. Sydney, NSW, Australia: Local Consumption Publications, pp. 141–168.

134.

O’Regan

Greenfield

(1981) The construction of a literary political subject. In: Botsman

Burns

Hutchings

(eds) The Foreign Bodies Papers. Sydney, NSW, Australia: Local Consumption Publications, pp. 93–168.

135.

Balnaves

O’Regan

(2009) Comparing television ratings conventions: Australian and American approaches to broadcast ratings. In: Communication, creativity and global citizenship: Refereed proceedings of the Australian and New Zealand communications association annual conference (ed Flew

), Brisbane, QLD, Australia, 8–10 July. Available at: https://anzca.net/conferences.html

136.

Balnaves

O’Regan

(2009) Survey wars: the explosion of measurement in audience ratings. In: Record of the communications policy & research forum 2009 (ed Papandrea

Armstrong

), December 2009, pp. 256–263. Sydney, NSW, Australia: Network Insight Pty Ltd. Available at: https://apo.org.au/sites/default/files/resource-files/2009-12/apo-nid69440.pdf

137.

Balnaves

O’Regan

(2008) Ratings in revolution or transition? In: Record of the Communications Policy & Research Forum 2008 (ed Papandrea

Armstrong

), Sydney, NSW, Australia, 29–30 September, pp. 134–142. Sydney, NSW, Australia: Network Insight Pty Ltd. Available at: https://apo.org.au/sites/default/files/resource-files/2008-11/apo-nid69467.pdf

138.

Balnaves

O’Regan

(2008) Constructing an audience ratings convention. In: Power & place: Refereed proceedings of the Australian & New Zealand communication association conference (ed Tilley

), Wellington, New Zealand, 9–11 July. Available at: http://citeseerx.ist.psu.edu/viewdoc/download;jsessionid=B2D0FB2E22CAD8206C3A99168835F9AC?doi=10.1.1.502.6630&rep=rep1&type=pdf

139.

O’Regan

Ryan

(2006) Trajectories of broadband: the coming, going and return of broadband. In: Empowerment, creativity and innovation: Challenging media and communication in the 21st century (ed Anyanwu

), Adelaide, SA, Australia, 4–7 July. Adelaide, SA, Australia: ANZCA and University of Adelaide. Available at: https://eprints.qut.edu.au/29192/13/29192.pdf

140.

O’Regan

Goldsmith

(2004). Still the centre: cultural geographies of US Film Production. In: Moran

Ferrero-Regis

(eds) Placing the Moving Image (Working Papers in Communication, Number 3), Brisbane, QLD, Australia: Griffith University, pp. 173–204.

141.

O’Regan

Ryan

(2005) From multimedia to digital content and applications: transitions in governmental policy towards the (digital) content industries. In: Making a difference: Australian and New Zealand communication association conference, Sancta Sophia and University of Sydney, Sydney, NSW, Australia, 7–9 July. Available at: https://eprints.qut.edu.au/4446/1/4446.pdf

142.

O’Regan

Shoesmith

(eds) (1987) History on/and/in Film: Proceedings of the Third History and Film Conference Perth 1985. Perth, WA, Australia: History and Film Association of W.A. Available at: http://wwwmcc.murdoch.edu.au/ReadingRoom/hfilm/contenth1.html

143.

O’Regan

(2019) Foreword. In: Collins

Landman

Bye

(eds) A Companion to Australian Cinema, Hoboken, NJ: Wiley-Blackwell, pp. xvi–xxii.

144.

O’Regan

(2014) The circulation of ideas. Interview. In: King

Williams

(eds) Australian Film Theory and Criticism: Volume 2 Interviews, Bristol, QLD, Australia; Chicago, IL: Intellect Books, pp. 61–74.

145.

O’Regan

(2013) Australian Film Theory & Criticism v.1, Critical Positions. Review Essay. Screening the Past, Issue 38. Available at: http://www.screeningthepast.com/issue-38-reviews/australian-film-theory-and-criticism-volume-1-critical-positions/

146.

Servaes

O’Regan

(2005) Editorial: what is so special about the Asia-Pacific region. Telematics and Informatics 22(4): 281–290. Available at: https://doi.org/10.1016/j.tele.2005.01.003

147.

O’Regan

Venkatasawmy

(1998) ‘I Make Films and It’s Up to Other People to Pigeon-Hole Them’: an interview with Alex Proyas. Metro 117: 29–33. Available at: https://search.informit.org/doi/10.3316/informit.715511189252518

148.

O’Regan

(1994) Films we love: King of the Coral Sea. Cinema Papers, October 101, pp. 14–16.

149.

Ruby

O’Regan

(1990) Eric Michaels: a partial guide to his written work. Continuum 3(2): 226–228. Available at: https://doi.org/10.1080/10304319009388173

150.

O’Regan

(1990) Of money and madness: the death of Australian TV. Filmnews, June, pp. 8–10.

151.

O’Regan

Shoesmith

Moran

(1988) On ‘The Back of Beyond’; interview with Ross Gibson. Continuum 1(1): 80–92. Available at: https://doi.org/10.1080/10304318809359320

152.

O’Regan

(1988) The historical relations between theatre and film: The Summer of the Seventeenth Doll. Continuum 1(1): 116–120. Available at: https://doi.org/10.1080/10304318809359324

153.

O’Regan

Cunningham

(1983) Star-structure. Filmnews, March, pp. 12–14.

154.

O’Regan

(1982) Ride the high country – The Man from Snowy River and Australian popular culture. Filmnews, September, pp. 8–9. Available at: https://trove.nla.gov.au/newspaper/article/213734281?browse=ndp%3Abrowse%2Ftitle%2FF%2Ftitle%2F1104%2F1982%2F09%2F01%2Fpage%2F23023673%2Farticle%2F213734281

Professor Tom O’Regan: a guide to his published work

Abstract

Footnotes

ORCID iD

References