This article addresses the permeability of the field of China media research and its openness to new ideas; it argues that we need to adopt a wide angle view on research opportunities. Expansion of China's media during the past decade has opened up possibilities for broadening the field. The discussion first identifies boundary tensions as the field responds to transdisciplinary knowledge, before addressing challenges faced by Chinese researchers or visiting scholars in ‘Western’ media environments. Finally, the article addresses what a wide-angle perspective might include.
Get full access to this article
View all access options for this article.
References
1.
BerryC.LiscutinN.MacintoshJ.2009, Cultural Studies and Cultural Industries in North-East Asia, Hong Kong University Press, Hong Kong.
2.
BlackD.EpsteinS.TokitaA.2010, Complicated Currents: Media Flows, Soft Power and East Asia, Monash University ePress, Melbourne.
3.
CaldwellJ.2008, Production Culture: Industrial Reflexivity and Critical Practice in Film and Television, Duke University Press, Durham, NC.
4.
ChuaB.-H.IwabuchiK. (eds) 2008, East Asian Pop Culture: Analysing the Korean Wave, Hong Kong University Press, Hong Kong.
5.
CunninghamS.TurnerG. (eds.) 1997, The Media in Australia: Industries, Texts, Audiences, Allen & Unwin, Sydney.
6.
CurranJ.Myung-JinPark (eds) 2000, De-Westernizing Media Studies, Routledge, London.
7.
CurtinM.2007, Playing to the World's Biggest Audience, University of California Press, Berkeley, CA.
8.
CurtinM.ShahH. (eds) 2010, Reorienting Global Communication: Indian and Chinese Media Beyond Borders, University of Illinois Press, Chicago.
9.
DonaldS.H.KeaneM.YinH.2002, Media in China: Consumption, Content and Crisis, Routledge, London.
10.
ErniJ.Siew-KengChua (eds) 2004, Asian Media Studies, Blackwell, London.
11.
FungA.2008, Global Capital, Local Culture, Peter Lang, New York.
12.
XiaobingHe1994, ‘Who is the God of Television: Television's Cultural Stratification?’ (shei shi dianshi de shangdi?), Beijing Broadcasting Institute Journal, no. 2, pp. 91–97.
13.
KeaneM.2007, Created in China: The Great New Leap Forward, Routledge, London.
14.
KeaneM.2010, ‘Keeping Up with the Neighbours: China's Soft Power Ambitions’, Cinema Journal, vol. 49, no. 3, pp. 130–35.
15.
MaEric Kit-Wai2005, ‘Re-advertising Hong Kong: Nostalgia Industry and Popular History’, in ErniJohn NguyetChuaSiew Kang (eds), Asian Media Studies, Blackwell, Oxford.
16.
NowotnyHelga2008, Insatiable Curiosity: Innovation in a Fragile World, trans. CohenMitch, MIT Press, Cambridge, MA.
17.
NyeJ.Jr1990, Bound to Lead: The Changing Nature of American Power, Basic Books, New York.
18.
QiuJack Linchuan2009, Working Class Network Society, MIT Press, Cambridge.
SinclairJ.JackaE.CunninghamS. (eds) 1996, New Patterns in Global Television: Peripheral Vision, Oxford University Press, New York.
21.
SunWanning2010, ‘Mission Impossible? Soft Power, Communication Capacity, and the Globalization of Chinese Media’International Journal of Communication, no. 4, pp. 54–72.
22.
JingWang2009, ‘New Media Technology and New Business Models: Speculation on Post-Advertising Paradigms, Media International Australia, no. 133, pp. 110–19.
23.
WyattJ.2010, ‘On the Intersection of Media Studies and Market Research: Exploring the Exchange Between Academia and Business’, Cinema Journal, vol. 49, no. 3, pp. 110–16.
24.
YingZhuBerryChris (eds) 2009, TV China, Indiana University Press, Bloomington, IN.